|
| Raw Materials by John Chambers |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama for a cast of two. Simple set - essentially a desk and a pile of rags! |
| Synopsis | John Brown speaks of his troubles trying to get his memoirs of Robert Blincoe, a boy who worked in the cotton mills, published. Robert tells his own story and explains what happened to John Brown himself after three years of failure.
A window onto the industrial revolution. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Read All About It by Colin Calvert |
| Roles | Minimum Male roles = 5. Minimum Female roles = 4. Minimum total with doubling = 9. Minimum total without doubling = 10. No chorus. The minimum character count assumes that the driver doubles as D.I. Throgge. |
| Run Time | Around 95 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy Thriller. Single main stage set with additional car interior set in front of the main stage. Includes gun violence and mild swearing. |
| Synopsis | It's a big day for McTaggart, the editor of The Biggleswick Bugle - he's meeting the mayor of the German twin town, and he's out to impress. Unfortunately, that means relying on his staff. There's Ted, the disillusioned hack, Britney who does the classifieds, Blodwen Jones - Jones the Death - the obituary specialist, Kevin the odd-job man and Mrs. Parmeter, the tea lady. And there's a madman on the loose. With a machine gun. Things just aren't going the way they were planned... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Reading Between The Lines by Geoff Bamber |
| Roles | Minimum Male roles = 3. Minimum Female roles = 5. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. An academic, a gambler, a vicar, a housekeeper, a French lady... No stereotypes here, oh dear me, no. |
| Run Time | Around 120 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length farce. Single domestic set. Contains mild swearing. |
| Synopsis | Professor Andrew Stokes, new owner of The Old Rectory Cottage, returns from a foreign study visit in time to help wife Rachel organise the village literary festival, based at Saint Fabian's church hall. Star attraction is to be famous romantic novelist, Lydia Bray. The success of the weekend's event is threatened by the arrival of Andrew's oldest friend, Reivers Fenn, professional gambler, lothario and all-round liability. The chances of Reivers failing to be an embarrassment recede as not one, but two, of the women from his past turn up in the village. While one would rather forget that she ever knew him, the other has chosen not to forget that he owes her a lot of money. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Reading by Firelight by Margaret Histed |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. Range of (playing) ages from 'the twins' aged eight to their seventy-year-old grandfather. (The twins need not be identical, nor of the same gender.) |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | A touching short play (three 'acts', but a total time of only 15 minutes). Single domestic set - mainly indicated by a few essential props. Contains one mild swear-word (which can be dropped at the direcor's discretion). |
| Synopsis | Eddie's family surprise him with a party on his seventieth birthday, but there's a row and his granddaughter leaves suddenly. She returns later to open her heart to the old man and gain some understanding. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Reading for Pleasure by Louise Wade |
| Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 19 minutes. [Estimated!] |
| Music | None. |
| Style | Short light comedy play with a single domestic setting. |
| Synopsis | It's Book club night and host Tina is nervous because she couldn't get through 'Tess of the D'Urbervilles'. Fortunately her husband knows it well and writes her notes on some napkins. But she's not the only one who struggled. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Reading it Back by Gabriel Chanan |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act comedy with a single (office) setting. |
| Synopsis | Author Arnold struggles with the plot of his latest novel and enlists the help of Julia. As work progresses, their relationship starts to mirror the written word. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Reality? by Bob Tucker |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. Two adults and one teenager. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Startling fifteen minute play. Single set (just a couch), minimal props. |
| Synopsis | What's going on? They appear to be a family, but they don't agree about who's who - or, indeed anything else!
Parallel universes are colliding in one house, causing confusion about identity, location and time.
(Okay, strictly, if they are parallel it should not be possible for them to collide, but the grammatical part of 'Multiverse' theory is not yet as advanced as the mathematics, so you'll just have to put up with an imprecise description!) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Reason by Katherine Melmore |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 7 minutes. [Estimated!] |
| Music | None. |
| Style | A dramatic monologue, suitable for youth theatre, with no set requirement. |
| Synopsis | Homeless Wendy relates her experiences of living on the streets and brings her encounters to life. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Reasonable Doubt by A.D. Peters |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | None. |
| Style | Play in two short acts - courtroom drama and crime - the way the jury sees is, and the way it happened. |
| Synopsis | A tense courtroom drama with the prosecutor battling a slick defence lawyer at the murder trial of social misfit Josephine Mason. The second act takes the form of a flashback portraying the murder of which she is accused. We are left with the dilemma of knowing jury's decision before we learn the identity of the murderer. We are then able to evaluate the justice of the verdict, wherein lies the final twist. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Reburying King Richard the Third by Cheryl Barrett |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. Middle aged men. |
| Run Time | Around 6 minutes. [Estimated!] |
| Music | None. |
| Style | A comedy sketch, minimal set, outdoors during a funeral procession. |
| Synopsis | Dave and George are standing at the roadside watching the procession of King Richard The Third's remains, as it makes its way through the streets of Leicester. They chew over some history, enjoy commenting on the merits of a good send-off, and the spectacle of this occasion. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|