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| Imelda and the Magic Dust by Ian McCutcheon |
| Roles | Minimum Male roles = 2. Minimum Female roles = 6. Minimum total with doubling = 14. Minimum total without doubling = 20. Chorus. Characters include a pantomime cat. Twelve principals and a chorus - nominally 8 roles, but these could be spread more thinly or thickly! |
| Run Time | Around 105 minutes. [Estimated!] |
| Music | The Producer's Copy of the script includes suggestions for 7 songs. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | British pantomime with an original story. |
| Synopsis | As the eldest daughter, Imelda feels she should be the one marrying the wealthy Belgian, Jean-Claude Van Eyer, but he only has eyes for her younger sister Rosie. With the help of a wicked fairy and some magic love dust, Imelda disposes of Rosie and bags Jean-Claude... For a while, anyway. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** Pantomime Fun-Packs - jokes and games for children, to supplement the programme for your show
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| Click here to read the script or Click here for more details. |
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Immature with Age by Wally Smith
New |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy short, single set. |
| Synopsis | Elderly widower Tom Fisher is trying to occupy his time as much as possible. His daughter, Sandra, a divorcee with two children in their twenties, has encouraged him to find some outside activities, but has not anticipated the result of his joining the local amateur dramatics group. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Impatience and Improbability by Nic Dawson |
| Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 55 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy with a single (hotel terrace) setting. A witty and clever intertwining of the mannered world of the eighteenth century and modern day mores - with a bit of farce thrown in. |
| Synopsis | This diversion in One Act, dedicated with respectful admiration to Miss Jane Austen - with humble apologies for any liberties taken - sees Julia providing eighteenth century elegance and ambience in her unique hotel. The idyllic, mannered world descends into infidelity and recrimination as the modern day intrudes. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Imperfect Speakers by Wally Smith |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Gibson is written male but could, conceivably, be female. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Short play - something of a political thriller. Simple set - the interpreters' booth at an international conference - which could even, at a pinch, be played front-of-curtain (though it requires a few small desks). Includes swearing. |
| Synopsis | Andy and Nigel are two old school friends reunited whilst translating at an international environmental summit. Nigel has always been a rabble-rouser but Andy and Ingrid, a German translator with a teddy bear, both realize that his responsibility as a diplomatic translator and his interest in politics overlap a little too keenly. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Importance Of Being Belinda by John Garforth |
| Roles | Minimum Male roles = 0. Minimum Female roles = 6. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 37 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy with a single (garden) setting. Adult themes and strong language abound! |
| Synopsis | The feminist Sapphire Theatre Collective is in final rehearsal for Oscar Wilde’s ‘The Importance Of Being Earnest’. Wilde’s script has been revised and updated to cater for an all female cast and political correctness by Belinda. The opening is in doubt as Belinda has been arrested for gross indecency on stage during a previous performance, but the show must go on! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Importance Of Being Earnest [45 minute abridgement] by Oscar Wilde abridged by Gerald P Murphy |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. The two narrators are written female but could be played male (especially if their names were changed to something more masculine than Agnes and Doris). |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act comedy, abridged (and slightly adapted) from the play by Oscar Wilde. A couple of narrators are used to set scenes so that the piece can be played with minimal (furniture only) sets. |
| Synopsis | Bachelors, Jack Worthing and Algernon Moncrieff, use convenient fictions when they wish to escape the more tedious aspects of society life. They both fall in love and become engaged, but their deceptions lead to much confusion. And Lady Bracknell has a lot to say about it all. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Importance Of Peaches by Tony Domaille |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 27 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy with a single setting |
| Synopsis | The Southbury Players Committee is meeting to discuss the group's poor record of success. Members are looking for a big idea to revive the group's fortunes, but when all seems lost, salvation comes from an unexpected source. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| In A Hole by Rupert Dick |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 100 minutes. [Estimated!] |
| Music | None. |
| Style | A fun and wildly unusual full-length play in two sets - one on the inside, looking out, and the second in the garden. |
| Synopsis | Woody Woodward is mildly interested in why his neighbour has dug a huge hole in the back garden, but when he involves his friend Benny in the mystery, things get serious. Is it a grave? A bunker? The answer leads to more questions. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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In a League of His Own by Mark Griffin
Finalist in the Cambridge Theatre Challenge (International play-writing competition) 2014 |
| Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. Three on-stage characters and an offstage (or recorded) soccer commentator. |
| Run Time | Around 38 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy play set in an Irish student flat (the main features of which are a couch and a TV set). |
| Synopsis | Soccer-obsessed student Eamo is unhappy with the progress of a local team because they're ruining his standing in the Fantasy Football league. And Eamo has a lot of money riding on the outcome. His flatmate, John, thinks Eamo should calm down, but then Mazza, a self-proclaimed legend, arrives to really stir things up. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| In At The Deep End by Kate Phimy |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 8 minutes. [Estimated!] |
| Music | None. |
| Style | A comedy sketch, with an optional - living room - setting. |
| Synopsis | Shirley's mid-life crisis continues as she searches for something to take her out of the rut of domesticity, but husband Pete wants the quiet life. He surprises Shirley as she secretly rehearses for her very odd new hobby, but as it happens - all turns out rather well. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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