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| Waiting for the Unicorns by Gill Medway |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 14 minutes. [Estimated!] |
| Music | None. |
| Style | Short comedy, requiring little more than a clipboard, a large rock and two actors. (The two animals of every kind are optional.) |
| Synopsis | Noah seems very well organised. He's built the boat thing, all the animals are more or less in alphabetical order, and he's got a list. All that's missing are those infuriating unicorns. Fortunately, his wife has the good sense to grasp the concept of myth and legend. |
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| Waiting for Twist Stiffly by Damian Trasler |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play which takes place on the set of a 1950s science fiction serial, but is really about actors and their relationship to their characters. |
| Synopsis | Filming of the 1950s adventure serial 'Twist Stiffly - Space adventurer' is being held up because the leading man is nowhere to be found. While the remaining cast members lounge around waiting for him to turn up, they discuss their roles in the drama and their dissatisfactions with the main man. Then they come up with a great way to fill their time until he arrives... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Waiting in Soho by Christopher Morgan |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | One act play with a single bar-room set. An ensemble piece with seven overlapping stories. Contains a range of adult themes. |
| Synopsis | A disparate group are sharing space in a Soho bar at the weekend - their only common ground. Through voicing streams of overlapping thoughts, they open up and reveal the experiences that brought them to where they are. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| The Waiting Room by John Waterhouse |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 19. No chorus. |
| Run Time | Around 95 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length play for a youth theatre company. |
| Synopsis | Becky is surprised to find herself in the afterlife, following a fall from a cliff. Since she died so young, she is offered the chance to return to the world for five 'experiences' that will round out her life before she moves on. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Feedback | Click here to find out what other customers said about this script. |
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| A Wake All Night by Mike Warrick |
| Roles | Minimum Male roles = 5. Minimum Female roles = 5. Minimum total with doubling = 10. Minimum total without doubling = 10. No chorus. |
| Run Time | Around 142 minutes. [Estimated!] |
| Music | None. |
| Style | A spooky full length comedy with a single set. |
| Synopsis | The enigmatic Sir Roger Laughton has died, and following his funeral, several select guests are invited to try and spend the night at his haunted mansion. But why these guests? There’s more than deception being practiced tonight. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| The Wakefields at War by Tom Mather |
| Roles | Minimum Male roles = 10. Minimum Female roles = 4. Minimum total with doubling = 14. Minimum total without doubling = 23. No chorus. Characters are mainly adults, but include three children (who age two years from 9, 10 and 12 during the course of the play). |
| Run Time | Around 100 minutes. [Estimated!] |
| Music | None. |
| Style | Drama in three acts with multiple settings depicting the horrors of World War One through its effect on one family. |
| Synopsis | The true story of the Wakefields, an ordinary Lancashire working class family whose three eldest sons were all killed in action fighting in the First World War. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| A Walk on the Wild Side by Cheryl Barrett |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 5 minutes. [Estimated!] |
| Music | None. |
| Style | A short monologue with minimal set requirements. |
| Synopsis | Mary is feeding the birds in the park and bemoaning the local council’s latest ruling, whilst contemplating her arthritic hip. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| War Prayer by Mark Twain adapted by Gerald P. Murphy |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 8. Minimum total without doubling = 9. Chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten minute play. No specific set requirements and only one prop (a rope). |
| Synopsis | Mark Twain was no pacifist, but here he brings an angel to explain to a congregation the difference between a just war and Jingoism. (Human frailty prevails.) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| The War Time by Seán Lang |
| Roles | Minimum Male roles = 12. Minimum Female roles = 7. Minimum total with doubling = 19. Minimum total without doubling = 21. Chorus. Characters are a mix of adults and children intended to be played by a youth theatre company. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | Ensemble piece for secondary schools, exploring the First World War. Multiple locations, mainly indicated by lighting and furniture. |
| Synopsis | A group of schoolchildren visit war graves in Belgium, but some have trouble connecting with the idea that the soldiers were real people, because it happened so long ago. Beth and Danny meet the Recollector, who takes them back in time and places them in the war, helping them understand. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| Warm Crayons by Ashley Harris |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 27 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act drama on a simple set. |
| Synopsis | Mr Hughes doesn't have the greatest patience as a schoolteacher but he does love his job. A routine student prank seems to be the trigger for a vile and immoral act. Is Hughes innocent or has he been hiding his evil ways all along? Warm Crayons questions the way the world looks upon physical and sexual abuse. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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