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| Where Is The Moon by Charles Eades |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 14. Minimum total without doubling = 21. Chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | School play based on a folk tale. |
| Synopsis | The people who live near the marsh have no problems when the moon lights their way through the bog at night, but when the bad things - witches, boggles, boggarts and Qicks - take the moon prisoner and hold her in a pond, the villagers must turn to the Tiddy Mun for help. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Where the Brass Bands Play by Geoff Bamber |
| Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. Detective Sergeant Cross is written female, but could be male with minor adjustments to the text. |
| Run Time | Around 110 minutes. [Estimated!] |
| Music | None. |
| Style | Full length farce. Single interior set (with inevitable French window and sundry places to hide). Warning - contains entendres, some of them twice. |
| Synopsis | Simeon Gandalf, one-time thespian, now theatrical agent, settles into Mrs Esme Golightly's Seaview Guest House, keen to develop the career of his young protégée, Louise Laverne. Despite Simeon's allegedly innocent intentions towards Louise, the last things he needs are the arrivals in quick succession of his long-estranged fifth wife, seeking a divorce and his long-term mistress, keen to be made into an honest woman. It's just as well that Simeon's solicitor is on hand to dig him out of the hole he is digging for himself. Also present, but wishing they weren't, are a hapless burglar and a member of the local constabulary. Will Mrs Golightly's no hanky-panky policy hold up and is there really a contract killer on Simeon's trail? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Where There's A Will... by Alan Tibbles |
| Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 10. Minimum total without doubling = 10. No chorus. |
| Run Time | Around 130 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length thriller in a single domestic set. |
| Synopsis | Set in the 1950s English countryside this thriller starts with the Nesbitts and their spouses being called together unexpectedly by their widowed step mother Violet. They gather in the peaceful country home of wealthy Esmerelda Barton for whom Violet has been acting as companion. Old enmities and rivalries emerge and secrets are exposed. All is definitely not as it seems and death is in the air. All is eventually revealed in this cleverly-constructed thriller. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Where There's Blame by John Chambers |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play, minimal set requirements, simple props, three strong characters and an involving story. Contains strong language and adult themes. |
| Synopsis | Lennie is fronting an accident claim company to raise money for his property speculating in Spain, Tina's waiting for Kevin to bring her some money for the week's shopping, but he's got caught up with Lennie's pie in the sky. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Where's George by Gary Diamond & Ray Lawrence |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. Character ages range from thirties to eighties. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play. Single set (living room). Contemporary realism. |
| Synopsis | It's Sunday afternoon. Arthur and Vera face the weekly ordeal of tea with Vera's mother, the fearsome Rose, and her carer-son, Edward. Rose is awaiting the arrival of her favourite son, George, but Edward has other surprises in store. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Feedback | Click here to find out what other customers said about this script. |
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| Where's Nigel by Jim Pinnock |
| Roles | Minimum Male roles = 6. Minimum Female roles = 4. Minimum total with doubling = 14. Minimum total without doubling = 14. No chorus. Some non-speaking roles essential to the play. |
| Run Time | Around 28 minutes. [Estimated!] |
| Music | None. |
| Style | A one act farce. |
| Synopsis | A group of friends meet for a party at Nigel and Stephanie's house. Events take an unusual turn as the services of a doctor and the police are needed as identities become confused and people are not who they seem. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** Poster template, illustrated by Dale French, for 'Where's Nigel?' by Jim Pinnock. (High resolution jpg file with space for adding information about the production.)
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| Which Witch? by Geoff Bamber |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 10. Minimum total without doubling = 10. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one act comedy, divided into four parts, with a simple setting. |
| Synopsis | When the council institute a policy to curb witchcraft, old Mrs Gridley comes under suspicion. Her friends Jenny and Jackie, 'ably' assisted by Jenny's boyfriend, Melvin, endeavour to clear her name - a task hampered by the arrival of an unwelcome face from Mrs Gridley's past. Can the day be saved and what could possibly be the contribution of spaced-out hippy musician, Three-Chord Bob? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| While You Were Gone by Catherine Gourdie |
| Roles | Minimum Male roles = 5. Minimum Female roles = 18. Minimum total with doubling = 24. Minimum total without doubling = 24. No chorus. |
| Run Time | Around 61 minutes. [Estimated!] |
| Music | The script can be performed with or without music. There are eight points in script where songs to be performed are suggested. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | Two-act historical drama set in a 1940s factory, with a large cast. |
| Synopsis | Edie reminisces on her experiences working in a factory during World War II. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| White Knight by P. B. Stenson |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 11 minutes. [Estimated!] |
| Music | None. |
| Style | An engaging horror drama which playfully explores the theme of gender-based assumptions. Some nicely written dialogue with an edge of dark comedy. |
| Synopsis | Ash is walking home from the pub when he passes a woman, Christina, sitting alone. He stops to check she is alright, but his assumptions about her are way off. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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White Lies by Richard James
Production by Alternate Shadows won 1st Place, Best Actress, Best Set at 2016 Duncan Rand One Act Play Festival |
| Roles | Minimum Male roles = 0. Minimum Female roles = 4. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. If necessary, the Waitress could be cast as a waiter. |
| Run Time | Around 48 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy. Single simple set (so easy to do as a competition piece). Simple props. Contains mild swearing. |
| Synopsis | Four old University chums meet up again after thirty years for a meal and talk. Bea is concerned only with herself and her own success, and doesn't care about the casual way she has hurt or used the others in the past, and the other ladies decide it's time for payback. But their little revenge stunt goes a little further than they planned. |
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| Awards | Click here to see the awards won by (productions of) this script. |
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