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| Laughter Lines by Frank Gibbons |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 38. No chorus. Most of the characters are adults in middle age or older. Some of the women are intended to be played by men (in gossipy, unglamorous middle-aged drag). |
| Run Time | Around 75 minutes. [Estimated!] |
| Music | None. |
| Style | Collection of 18 comedy sketches (ranging in duration from 2 minutes to ten minutes). Few set requirements (although one sketch takes place in and around a bed). There are a couple of mild swearwords buried in there somewhere. |
| Synopsis | Sketches about life, death, relationships and cream cakes.
Most of the sketches are available individually. (The collection allows the set to be purchased at a discount to the sum of the individual components.)
There is no particular order to the sketches, but there are occasional common themes. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Laura by Jonathan Edgington
A winning entry in the Chesil Theatre's 10x10 play writing competition, 2016. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | A short play |
| Synopsis | A chance discovery in a second hand record store reveals the truth about a lost love. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Law is an Ass by Ray Lawrence |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. All three characters are written as male, but the judge could easily be played female. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten minute comedy play, single courtroom set. |
| Synopsis | Old Lag Eddie Larsen is up in front of the beak again. Caught red handed climbing out of a shop window with a bag of swag, it looks like he's going down. But in a stroke of brilliance he defends himself with his own personal philosophy, making a believer out of the judge and earning himself a most unusual sentence. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Lay Your Cards on the Table by Cheryl Barrett |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 4 minutes. [Estimated!] |
| Music | None. |
| Style | Monologue for an injured sportsman. Minimal set (a lap-top computer with some means of support). A tender mixture of comedy and pathos. |
| Synopsis | Wheelchair-bound former rugby player Tom has been surfing the web to keep himself occupied since his accident and has developed an interesting income stream. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Lazy Daze by John Chambers |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. One (female) character plays herself and a series of other people. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | Monody - one-act play for a cast of one. Single (store-room) set. Contains swearing. |
| Synopsis | Daisy, with her limp and her lazy eye, has suffered scorn in her life, but Ian showed her a new interest - philosophy, reading, questioning. Daisy tells us about the night she and Ian were both invited to a colleague's leaving do. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Leading Ladies by Christina Simpkin |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 3 minutes. [Estimated!] |
| Music | None. |
| Style | Short comedy sketch set on a busy stage! |
| Synopsis | Bertha and Florence are backstage at the latest big production, preparing for the vital role they play in the piece. But they don't feed lines to anyone... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Leading Ladies - It's Behind You by Christina Simpkin |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy play, set back-stage at a (British) pantomime. |
| Synopsis | Behind the scenes at the annual panto, two ladies compare notes on this production, other productions and other members of the cast, while various characters drift through on their way to the stage or the Green Room. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Learning to Like You by Robert Scott |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 34 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act comedy drama on a minimal living room set. |
| Synopsis | Amber has just moved in, so she pops round to introduce herself to her new neighbour, Jake. Jake’s not what she expected, and it takes the pair a number of visits and misunderstandings before they learn enough from each other to be friends. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Leave it to Lulu by Jim Hollingsworth |
| Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 48 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy in a single set. |
| Synopsis | The residents of Sandcliffe Retirement Home gather to plan a summer fair, but first they must submit to the exercise routine of Lulu, a trainer sent from the council. And she's not the only council representative, as a corrupt councillor is intent on closing the home down. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Leaving Tommy by Mark Seaman
Winner of seven awards during original 2005 production, including 3 festival awards (Wiltshire, Avon and Gloucestershire) for best original script. |
| Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play, set in a prison cell during the first world war. (Minimal set requirements.) |
| Synopsis | A young man has been tried and found guilty of cowardice and desertion at the front during World War One, and awaits his death by firing squad. He is visited by the army Chaplain, a Captain who hears about his reasons for joining up and what really happened on the front line. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Feedback | Click here to find out what other customers said about this script. |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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