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| Language Lessons (II) Asking the Time by Nicholas Richards |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 17. No chorus. One character is an offstage voice - could easily be doubled. |
| Run Time | Around 43 minutes. [Estimated!] May be separated into short scenes. |
| Music | None. |
| Style | A series of scenes put together in one act, or may be divided for short pieces. Minimal or no set requirements. |
| Synopsis | A second set of crazy scenes to help hopeless English persons gain a better degree of fluency, in a foreign tongue. This time Polly and Glott prepare the audience for asking the time in various countries and even outer space! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Last Birthday Party by Susie Casson |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. All four characters are written female - a mother and her three adult daughters - but any could be changed to male with appropriate tweaks to the text. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | A strong dramatic sketch with themes of grief, memories and mother-child relationships, which offers an opportunity for four actors to show some emotional range. Minimal set. |
| Synopsis | Jo, Chris and Sam are in the attic, sorting out the last box of their Mum's possessions on what would have been her birthday. They can’t figure out why she kept that strange old toby jug. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Last Duchess by Iris Winston
Won first prize in the Ottawa Little Theatre National Playwriting Competition. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | A short stage adaptation of Robert Browning's poem, My Last Duchess. |
| Synopsis | The spirit of a murdered wife steps from her portrait to try and warn the next fiancée of the fate that awaits her. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Last Earl Grey by Susie Casson |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | One-act black comedy, told in vignettes and flashbacks.. |
| Synopsis | There's been an accident. A fatal accident. And now Dorothy wants her daughter, Lucy, to kill Mrs Butterworth. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Last Gateway by Sarah Pemberton |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 19. Minimum total without doubling = 25. Chorus. Roles are a mixture of children and adults, but all played by children. Two principal characters and three narrators, with a (flexible) company playing the rest of the roles. At times chorus members become parts of the set, including trees and a car. |
| Run Time | Around 70 minutes. [Estimated!] |
| Music | None. |
| Style | Realism morphing into fantasy. Minimal set and props, with the company creating atmosphere and locations. Scope for improvisation, dance and creative chorus work. |
| Synopsis | Bullied Faith and newcomer Tom form a friendship which leads to adventure uncovering a shared past in a parallel world. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Last of the Meagans by Henry P. Gravelle |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. Two parents and their young adult son. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten-minute play, single set. Minimal props. Contains adult themes. |
| Synopsis | A father argues with his remaining son after the funeral of his youngest son, a victim of the Iraq war. Family revelations follow harsh words and it's left to Mom to hold the family together. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Last Respects by Colin Calvert |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act play in funereal black - so obviously a comedy! Single set (a funeral parlour), replete with coffin. |
| Synopsis | Henry Throgmorton (deceased) has decreed that a wake should be held in his honour at the funeral parlour. The guests, previously unknown to each other, are his wife and his two mistresses... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Last Séance by Herb Hasler |
| Roles | Minimum Male roles = 3. Minimum Female roles = 6. Minimum total with doubling = 9. Minimum total without doubling = 12. No chorus. |
| Run Time | Around 85 minutes. [Estimated!] |
| Music | None. |
| Style | A slick farce with a single domestic set. (Nominally in the USA, but could work in any location.) Contains mild swearing. |
| Synopsis | A family-operated séance scam is laid out before us. Attempts to conceal the swindle lead to a number of surprising twists amid frenetic action. The final startling twist of the play reveals to us - and the family - why this must be the last séance. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Last Thing On His Mind by Mike Smith |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. Two elderly men and a cameo female nurse. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | Ten-minute (or so) play. Single set - a couple of chairs and a table to indicate the terrace of a retirement home. A wonderful piece of writing which, very indirectly, says a lot about the characters. Contains swearing. |
| Synopsis | Sitting in the sun outside his nursing home, Mr James is consumed by the memory of sex with a woman he can't remember the name of. His companion wishes he would change the subject, but Mr James chases the thought around and around. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Last Train to Sleepy Hollow by David Pemberton |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 15. Minimum total without doubling = 19. Chorus. Variable Chorus size at the Producer's discretion. |
| Run Time | Around 64 minutes. [Estimated!] |
| Music | Music and song suggestions for eight pieces are provided in the Producer's copy of this script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A comedy spoof play, with music, in various settings. |
| Synopsis | When Arthur is summoned by his Godmother to exorcise her house of spooks, he discovers a dastardly plot to frighten her off her valuable real estate. In the ultimate battle of innocence against the powers of darkness, Arthur destroys the black heart of the Bigwitch, finds true love, restores Spooky Hollow to his Godmother and catches the last train home! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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