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| The Marrying Kind by Frank Gibbons |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 4 minutes. [Estimated!] |
| Music | None. |
| Style | A short sketch, in a simple office setting. |
| Synopsis | Paul is looking for something in the store, but he seems to have gone into the wrong department... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Marvellous Marie by Richard Cowling |
| Roles | Minimum Male roles = 7. Minimum Female roles = 12. Minimum total with doubling = 31. Minimum total without doubling = 38. Chorus. Many of the characters appear in only one or two scenes, so a lot of doubling is possible. There are also numerous choruses - Polish Dancers, Parisians, and an American crowd, for example. |
| Run Time | Around 80 minutes. [Estimated!] |
| Music | Piano and vocal scores for 28 songs, instrumentals and pieces of scene-change music. |
| Style | School musical. Lots of scenes but with location indicaters rather than lavish sets. |
| Synopsis | Moving, inspirational musical exploration of the life and work of Marie Curie from Polish upbringing to Paris and the Nobel Prize.
Original songs for an original scientific life. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'backing track CD' with arrangements of songs from the show
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| Click here to read the script or Click here for more details. |
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| Mary Anning: Lost in Time by Peter John Cooper |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 66 minutes. [Estimated!] |
| Music | None. |
| Style | Historical drama. Structurally in two acts, but on the boundary between one-act and two-act length.
Dorset rocks. |
| Synopsis | Nineteenth-century palaeontologist Mary Anning is dying of breast cancer. Under the care of a local woman, she takes laudanum for pain relief, which induces hallucinations that cause her to reflect on her past and her struggle to make a name for herself in a man’s world. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Mary Had a Little Lamb by Ian Cartwright |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 15. Minimum total without doubling = 27. Chorus. Some of the roles are written male or female, but it's a panto, so cast whomsoever you like (I mean within the span of your company - so it's no good casting Sir Ian McKellen because the chances are he won't be available). |
| Run Time | Around 120 minutes. [Estimated!] |
| Music | The Producer's Copy of the script includes suggestions for 17 songs. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A full-length pantomime with an original story inspired by the nursery rhyme. |
| Synopsis | The evil Lady Wolfe intends to take control of Dame Dora Drover's farm. Dora lays her hopes in Professor Knutz's new shearing and knitting machine, but Knutz can't get it to work well enough to make the money they need. Fortunately a chance purchase by Dora’s daughter Mary at the livestock auction brings a talking lamb to the rescue. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Master Shakeshafte by Peter Parkinson |
| Roles | Minimum Male roles = 8. Minimum Female roles = 5. Minimum total with doubling = 13. Minimum total without doubling = 18. No chorus. |
| Run Time | Around 84 minutes. [Estimated!] |
| Music | None. |
| Style | A full length play, with a variety of settings, generally indicated by furniture and atmosphere. |
| Synopsis | There is much speculation over the 'missing years' of Shakespeare's life, and this play offers a glimpse into what may have happened if the bard of Avon really did spend time as a tutor in Hoghton Hall, before becoming a playwright in earnest. There are numerous nods to familiar plays and characters, and also lines or titles which may delight an alert audience. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Master Thief by Joseph A. Jones |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. Distinct age gap between the two characters. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act comedy drama, with tension - about deceits and money. |
| Synopsis | An old man has his quiet evening in his poor home disturbed, by a frightened young man pretending to come from a charity. He isn't, but the old man isn't what he seems either. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Match Girl Controversy by Damian Trasler |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 6 minutes. [Estimated!] |
| Music | None. |
| Style | An allegorical sketch about Advent! (Minimal staging requirements) |
| Synopsis | Discussions about the new 'Seasonal School presentation' get heated. An Advent-themed play. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Match Girl's New Year's Eve by Olivia Arieti |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. The cook is written male, but need not be. |
| Run Time | Around 7 minutes. [Estimated!] |
| Music | None. |
| Style | A short play for schools, based on the Hans Christian Andersen tale. |
| Synopsis | A friend, a cook, two nutcrackers and grandmother of course, drop in to make the little match girl's New Year's Eve warm and bright. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Matchmakers by Robert M. Barr |
| Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 10. No chorus. A range of ages and plenty of opportunity for characterisation. |
| Run Time | Around 80 minutes. [Estimated!] |
| Music | None. |
| Style | Full length play set in the Jewish community in 19th century Eastern Europe. Clever and funny, with a plot that twists and turns. Multiple locations, but easy to realise without elaborate scenery. |
| Synopsis | Reuven, the son of a Rabbi, is studying to be a Rabbi too. He needs a wife to support him, but also to prevent him being drafted into the Czar's army. Unfortunately he and his family have to move to another village where their matchmaker runs into another Matchmaker. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Matt Freeman's San Antonio by Sandy Radford |
| Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 18. No chorus. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | Drama, running somewhere on the boundary between a one-act and a full-length play, though structured in four acts. Multiple sets, but described very feasibly. Contains mild swearing. |
| Synopsis | Matt is a playwright, but he's not happy with his level of success, either in his professional or his personal life. He decides to throw everything into a new play and a trip to San Antonio to try and recapture a lost love.
A play that plays with theatre to lead the audience on a journey through what is, what chould be, and what might have been. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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