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| Frying Nemo by Amelia Armande |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 10. Minimum total without doubling = 33. No chorus. Enormous flexibility! The author presents a doubling table showing how the thirty-three characters can be played by 10 actors (with a lot of swift - and necessarily simple - costume changes). |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | The producer's copy contains suggestions for (the style of) accompanying music. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A one-act nautical comedy play (with opportunities for dance music). Written for minimal set - because it was originally performed in a sea-life centre! |
| Synopsis | An old man in a care home is telling the story of his younger days - as the seafaring adventurer Captain Nemo! We see things that Jules Verne never got to write about in this stirring tale of derring do and mermaids, with a surprisingly affecting ending. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Full Circle by Herb Hasler |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | An intriguing short comedy set in an American high school - an ideal vehicle for school or youth theatre. Stage split between simple representations of the school cafeteria and the principal's office. |
| Synopsis | With typical angst, five high school pupils are involved in various relationship difficulties with each other, resulting in assorted fracas in the school cafeteria which the long-suffering principal is left to resolve. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Full Speed Ahead by Barry Lambert |
| Roles | Minimum Male roles = 3. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 28 minutes. [Estimated!] |
| Music | None. |
| Style | A comedy with a fun set of characters and a good satirical sense of humour. No set, other than a few chairs and tables - location and transitions indicated by lighting. |
| Synopsis | Sophie and Jack are singles who independently decide to attend a speed dating session, where they are each paired with a highly unsuitable prospective partner. By the time they are eventually due to meet, Sophie is so upset by her earlier encounter that she is intending to leave, but Jack's thoughtfulness convinces her otherwise. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Fumblings at Friar's Bottom by Richard Coleman |
| Roles | Minimum Male roles = 9. Minimum Female roles = 6. Minimum total with doubling = 16. Minimum total without doubling = 16. No chorus. |
| Run Time | Around 80 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy, verging on light farce |
| Synopsis | Friar's Bottom is a decaying English Boarding School in the 1950s. Most of the staff are looking to escape - not necessarily with their current partners. Full of double dealings with a shady bookmaker and an American property developer. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Fundraiser by David Lovesy |
| Roles | Minimum Male roles = 0. Minimum Female roles = 4. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 2 minutes. [Estimated!] |
| Music | None. |
| Style | A very short comedy sketch, with no set requirements. |
| Synopsis | With funding running low, how might the Cruttock's End Lap Dance and Pole Artistes Collective raise some capital? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Funeral for the Cat by B. G. Craig |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Elizabeth is written female, but could be played male (and renamed Elliot). |
| Run Time | Around 28 minutes. [Estimated!] |
| Music | None. |
| Style | A good mix of emotional drama and dark but gentle comedy. Easy to stage on a single living room set.
US English. |
| Synopsis | Judy, an elderly widow, is holding a funeral for her beloved and recently departed cat. Her daughter and granddaughter are alarmed to find that, since a pet coffin was too expensive, Miss Mopsy is lying on the coffee table. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Further Education by Pete Barrett |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 7. No chorus. Frank and Anne are written with Geordie accents. |
| Run Time | Around 117 minutes. [Estimated!] |
| Music | None. |
| Style | A full length comedic play (backed by a bit of recent British history) with a single (scruffy student flat) setting. |
| Synopsis | In this very well observed play, set during the miners' strike in the 1980s, Essex University students, flat sharing Rachel, Emma and Claire invite Durham miner Frank to stay with them whilst he joins the picket line in the locality. The clash of working class and middle class values come to the fore during his stay and in amusing turns both sides learn from the other. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Future Gazing by Robert Black |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 6 minutes. [Estimated!] |
| Music | None. |
| Style | A short sketch |
| Synopsis | Ernie thinks he can see the future through a portable crystal ball - which looks suspiciously like a glass marble. Fred has his doubts. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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The Future by Andrew Harrison
Listed by The Independent as one of the 'Top Five Plays', 2007 |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 90 minutes. [Estimated!] |
| Music | None. |
| Style | Full length play, single interior set, exploring the merits of living for ever. |
| Synopsis | Three couples meet together over the course of twelve years. During those years a drug is perfected that prevents ageing. The advantages and disadvantages are debated and displayed by the friends at each encounter. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Gabriel-Ernest by Tony Best |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. Either for a youth theatre company, or for a mix of adults and children. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act stage adaptation of a subversive Saki story - this one is edgy, verging on (gothic) horror. There are nine scenes, intended to be played seamlessley with the stage divided into one area for a house and one for all other scenes. |
| Synopsis | 'There's a beast in your woods.'
So it seems. Van Cheele's life is interrupted by the arrival of a strange boy, with disturbing behaviour and an unusual disregard for clothes.
(The author makes some suggestions about how to deal with this last point whilst remaining within the bounds of decency!) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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