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| Sad Angel by Robert Foylan |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 33 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama set in a park. |
| Synopsis | Grace is walking in the park, preparing herself for a dramatic moment in her life, when she meets a sad-looking man. He seems to know a lot about her and her life, but could he really be her guardian angel? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Sadist by Brent Holland |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. The age of the Sadist is not specified, the rest are teenagers. |
| Run Time | Around 24 minutes. [Estimated!] |
| Music | None. |
| Style | One-act horror story for a teenage cast. Single (remote cabin) setting. |
| Synopsis | A group of young friends are involved in a serious road accident deliberately contrived by the Sadist who imprisons the victims and puts them through a callous game. The strength of their friendship is severely tested. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Saga of Freydis and the Raiders by Geoff Bamber |
| Roles | Minimum Male roles = 5. Minimum Female roles = 5. Minimum total with doubling = 13. Minimum total without doubling = 17. Chorus. |
| Run Time | Around 40 minutes. [Estimated!]
Optional interlude for song and dance. |
| Music | None. |
| Style | One-act play for kids. Simple sets. Not specifically musical, but there is an optional interlude for song and dance. |
| Synopsis | It is 980 A.D. and Freydis nurtures an ambition to become famous by getting herself into a Norse Saga. To do this she must impress The Wise One (Recorder of Sagas) with some deed of daring, a great adventure or victory in some ferocious battle. Unfortunately she has been told time and time again that the Saga is a male-only preserve. Undeterred she seeks to break the mould by sailing across the oceans to discover the New World, the safer alternative to going head-to-head with local bully-boy, Thorbrand the Destroyer. A tale of ambition, daring and Skandiwegian furniture. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Saint Nicholas and the Three Purses of Gold by Timothy Hallett and Nicholas Richards |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 9. Chorus. Technically, there are no characters - that is to say, it could be sung by a soloist. In practice, the intention is for the singing to be shared between several narrators and a chorus whilst the story is mimed by actors. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | The Producer's Copy of the script comes with a complete piano and vocal score. |
| Style | A sung story. (Technically, that makes it a Cantata, but don't let the fancy name put you off!) Does not require any set or props, but props could be used as part of a mime of the story. |
| Synopsis | Where does our modern Santa Claus come from? He's descended from legends of Saint Nicholas, the fourth century Bishop of Myra - legends such as this one! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'backing track CD' with arrangements of songs from the show
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| Click here to read the script or Click here for more details. |
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| Salem Witches by Gerald P. Murphy |
| Roles | Minimum Male roles = 7. Minimum Female roles = 8. Minimum total with doubling = 15. Minimum total without doubling = 15. Chorus. Characters cover a range of ages. Could be played by a youth theatre company or a mixed-age company. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | Piano and vocal scores for seven original songs are supplied with the Producer's copy of the script. |
| Style | Play with music. Structurally in two acts, but of one-act length (that is to say, it could form half an evening's entertainment!) |
| Synopsis | Historical drama, based on the events in Salem Massachusetts in 1692 when personal disputes spilled-over into accusations of witchcraft and the prosecution of numerous townsfolk. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'rehearsal CD' with piano arrangements of songs from the show
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| Click here to read the script or Click here for more details. |
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| Samaritans, Can I Help You? by Brendan Williams |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play, dealing with a disturbing subject. Single simple set, simple props. Contains swearing and sexual themes. |
| Synopsis | A man in torment over a love affair calls the one organisation he feels might listen without prejudice. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Same Difference by Louise Roche |
| Roles | Minimum Male roles = 7. Minimum Female roles = 3. Minimum total with doubling = 11. Minimum total without doubling = 11. Chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | A list of suggested songs is given in the Producer's Copy of the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | One-act play (with music) for kids. Multiple settings, but designed to be staged simply. |
| Synopsis | Penny is a new girl, desperate to fit in with her peer-group. The other kids, led by Danni, dare her to enter a mysterious house that has been unoccupied for years. There she meets Amelia..
A tale of exclusion, bullying, ghosts and reconciliation. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Same, But Different by Pat Edwards |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 10. Minimum total without doubling = 32. No chorus. Flexible cast size at the Producer's discretion |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act play. |
| Synopsis | Two fans of opposing football teams make friends, and then have to get their fellow supporters to understand there's nothing wrong with that. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Sammy by Hilary Mackelden |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 90 minutes. [Estimated!] |
| Music | None. |
| Style | Brilliantly written full-length play about coping with the long-term medical problems of a family member (who never appears on the stage). Single domestic set. Contains mild swearing. |
| Synopsis | Jenny and Mark have a young son, Sammy, who has Prader Willi syndrome, a compulsive eating disorder. Mark wanted a son desperately, but is shocked by Sammy's condition and the work it will entail. Christine and Phil next door can't have children at all, so they are constant visitors. Eighteen years of family strife in one play. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Samson - The Musical by Sue Gordon
Performance by Cheshire Academy of Performing Arts won the award for Best Junior Production at the Wilmslow Guild One Act Play Festival, 2008 |
| Roles | Minimum Male roles = 11. Minimum Female roles = 8. Minimum total with doubling = 22. Minimum total without doubling = 33. Chorus. Whilst the script doesn't specify a chorus, there are groups of 'Israelites' and 'Philistines' and 'Delilah's friends' whose numbers could be expanded. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | Scores for 8 original songs are provided with the Producer's Copy of the script |
| Style | Humorous musical version of the story of Samson and Delilah. Simple sets, basic props (give or take the lion!). There is also a version of this script as a play. (The same script, without the songs.) |
| Synopsis | See the book of Judges, chapters 13 to 16 (give or take the bit where Delilah catches Samson with a jam jar, and with a cha-cha-cha for hairdressers). |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'backing track CD' with arrangements of songs from the show
** Backing tracks of songs from the show as MP3 files
** Soundtrack CD - vocal performances of songs from the show
** High quality backing tracks for the 8 songs (plus finale music) for Samson - the Musical. (Recording by Dave Watt of the Musical by Sue Gordon.)
** Vocal tracks for the 8 songs (plus finale music) for Samson - the Musical by Sue Gordon. (Musical arrangements by Dave Watt, vocals by Jonny Ardern, Stuart Ardern and Leanne Cooper. Recording by Dave Watt and Jonny Ardern.)
** Zip file containing MP3 high quality backing tracks for the 8 songs (plus finale music) for Samson - the Musical. (Recording by Dave Watt of the Musical by Sue Gordon.)
** Zip file of MP3 vocal tracks for the 8 songs (plus finale music) for Samson - the Musical by Sue Gordon. (Musical arrangements by Dave Watt, vocals by Jonny Ardern, Stuart Ardern and Leanne Cooper. Recording by Dave Watt and Jonny Ardern.)
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| Click here to read the script or Click here for more details. |
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