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| A Teenage Christmas Carol by Richard James |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 8. Minimum total without doubling = 25. No chorus. Very flexible casting - there are 11 narrators, who could ultimately be condensed to one role, and other doubling would be possible. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten-minute play in a mix of verse (from the narrators) and prose (from the rest of the cast). No set requirements, simple props. |
| Synopsis | The great granddaughter of Ebenezer Scrooge needs to be taught the same lessons he learned - and in a very similar fashion! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Teething Troubles by Phil Birkett |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | Single set one-act comedy. |
| Synopsis | Jane is reluctantly acting as daycare for her granddaughter, Dakota, but she's less than maternal. Then she gets a visit from her ex-husband, on the prowl for funds for his latest venture, and she decides to rearrange her priorities. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Tell-Tale Heart by Edgar Allan Poe adapted Gerald P. Murphy |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | Stage adaptation of Edgar Allan Poe's short (Gothic Horror) story. Single figurative set. |
| Synopsis | Lucas takes a homeless man into his home. Convinced the homeless man posesses 'the evil eye', Lucas waits until the dead of night and murders him. Driven mad by guilt and the memory of the evil eye, Lucas is haunted by the homeless man's heart, beating under the floorboards... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Telling It by Annie Connell |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 27 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama. Two settings, but easily combined into a single set. |
| Synopsis | As two officers interview a woman claiming to be the victim of domestic violence, problems with her story make them suspicious. Despite her deception, she's still a victim, and it looks like there could be a violent offender out there. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Tempest [60-minute abridgement] by Shakespeare, abridged Jack Shaw |
| Roles | Minimum Male roles = 7. Minimum Female roles = 1. Minimum total with doubling = 11. Minimum total without doubling = 13. No chorus. The character list, like all of Shakespeare's work, is male-heavy. That has not prevented excellent productions by majority female casts! |
| Run Time | Around 61 minutes. [Estimated!] |
| Music | None. |
| Style | Abridgement of Shakespeare on the boundary between a one-act and a full-lengh play. All words remain Shakespeare's, with one short speech added by the abridger to facilitate a character exit. |
| Synopsis | Since being usurped as Duke of Milan by his brother, Prospero and his daughter Miranda have lived on a deserted island. With the help of the spirit Ariel, he causes a tempest that shipwrecks his passing enemies. He aims to regain his dukedom and marry Miranda to Ferdinand, son of the King of Naples. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Tempest by Geoff Bamber |
| Roles | Minimum Male roles = 9. Minimum Female roles = 2. Minimum total with doubling = 12. Minimum total without doubling = 12. No chorus. The characters preserve Shakespeare's original, which means that the Naples court is all male. It need not be cast that way. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | A play originally written by William Shakespeare and completely altered by Geoff Bamber. (This version is in modern, humorous. English. It extends the story back in time to avoid the long exposition speeches of Shakespeare's second act!) |
| Synopsis | Prospero, Duke of Milan and part-time magician, is tricked into undertaking a hazardous sea journey by his treacherous brother, Antonio, who promptly takes over the duchy when Prospero is conveniently shipwrecked in a great storm. Prospero, along with his daughter, Miranda, survives the wreck and finds himself on a desert island. From there he uses his magic powers to gain revenge on Antonio and Alonso, King of Naples, who is unwittingly supporting Antonio under the influence of his own unscrupulous brother, Sebastian. With the principals all gathered on the same island, Prospero sets out to divide and conquer, a task somewhat hindered by the presence of a range of bizarre and possibly deranged supporting characters. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Tempting Fête! by Alan Robinson |
| Roles | Minimum Male roles = 7. Minimum Female roles = 6. Minimum total with doubling = 13. Minimum total without doubling = 13. No chorus. |
| Run Time | Around 120 minutes. [Estimated!] |
| Music | None. |
| Style | A full length action-packed farce with a single (village fete) set. |
| Synopsis | Cathy is trapped in an idyllic country nightmare. Her husband's gone native and she's been taken hostage by the ladies from the local Cake Club. Forced to run their cake stall, she decides to make her escape, only to find herself thwarted by squashed confections, tangled bunting, rampaging bullocks and irresistible temptation. Contains adult themes. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Ten Minutes Left by Bart Meehan |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 8 minutes. [Estimated!] |
| Music | None. |
| Style | A short play with minimal set requirements. Some strong language. |
| Synopsis | A couple’s previously staid relationship blossoms as they wait, knowing there are only ten minutes before an unknown catastrophe arrives. Is there time to remember their first meeting? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Ten Sixty Six... Ish by David Dean |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 3 minutes. [Estimated!] |
| Music | None. |
| Style | A brief comedy sketch, with minimal set. |
| Synopsis | It's 1067, which is a real problem for the Norman invasion, since it means they're a year behind schedule. Leaves on the water and alternate horse services notwithstanding, there's going to have to be some quick thinking to save the day. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Terminal 1 by Dave Payne |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Fifteen minute drama with a single (departure lounge) setting. |
| Synopsis | George and Lynda's flight has been delayed, so far by 9 hours. George becomes more and more annoyed whilst Lynda is strangely calm and collected. Their love for each other shines through as the reason for their journey - and the play's title - becomes poignantly clear. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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