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| One Hell of an Interview by Damian Trasler |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 2 minutes. [Estimated!] |
| Music | None. |
| Style | Sketch, single simple set (office) |
| Synopsis | A recruitment drive for a commercial television channel receives interest from an unlikely and unwelcome source. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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One Hundred and Eighty! by Jonathan Edgington
Runner up in The Maskers Theatre's 2011 Humble Hamlet play writing competition. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Fifteen-minute comedy, playing on Shakespearean themes. Contains swearing and adult themes (and a darts player). |
| Synopsis | Toby Hamlet is coming home, but his mother doesn't know why. She does know he's broken a promise he made to his dying father by becoming a pro darts player instead of a lawyer. What could he possibly want to speak to his mother about that he can't mention on the phone? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| One in the Eye by Bill Siviter with Lea Anderson |
| Roles | Minimum Male roles = 5. Minimum Female roles = 1. Minimum total with doubling = 13. Minimum total without doubling = 21. Chorus. Since the characters include 'William's Army' and 'Harold's Army' the numbers are rather vague (or very flexible, depending on the gloss you want to apply). Most of the characters are supposedly male, but don't let that stop you. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | The Producer's Copy of the script comes with sheet music for six original songs (one of which is reprised). |
| Style | An educational, historical, rhyming comedy musical. (There. What does that leave out?) |
| Synopsis | The story of the Harold, the last Saxon king of England who proves adept at dealing with his riotous brothers and Viking invaders, but is finally overcome by William, Duke of Normandy, with his secret weapon... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'rehearsal CD' with piano arrangements of songs from the show
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| Click here to read the script or Click here for more details. |
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One Mistake by Stephen Scheurer-Smith
Winner of Cambridge Drama Festival 2008 |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 41 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama on a single hotel bar set. Can be performed alongside, and share a set with, its sister play Psychic Babble. |
| Synopsis | An alcoholic has-been pop star is on the road with her daughter reluctantly in tow. They're the last ones in the hotel bar, but the bartender, a former City high-flyer, has a surprising past of his own. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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One Solitary Line by Neil Walden
Winner of One-Act Play Writing Competition at Wexford Literary Festival 2017 |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. One (gender non-specific) character is an offstage voice only. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | A comedy sketch with a single (dressing room) setting. |
| Synopsis | Two actresses cast in a Shakespeare play bemoan the fact that the Bard gives so few opportunities for meaty female roles. This causes their relationship to become acrimonious. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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One Sweet Kiss by Emma Northcott
Best actress at the 2020 NOSCARS (NODA East District 9). Original script Winner 2017. Queen Mother Theatre. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 48 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act thriller with a single (living room) setting. |
| Synopsis | Sophie has invited her friends Sarah and Ross over for dinner. Tony, Sophie’s partner, isn’t pleased. Sarah thinks she has discovered a chilling secret from Tony’s past and as the evening wears on, her tongue loosens and accusations are made with devastating consequences. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| One Thing After Another by Steve Beeton |
| Roles | Minimum Male roles = 5. Minimum Female roles = 5. Minimum total with doubling = 10. Minimum total without doubling = 10. No chorus. |
| Run Time | Around 82 minutes. [Estimated!] |
| Music | None. |
| Style | A full length comedy with an 80s setting. |
| Synopsis | When Bert and Eric dig up an old box on the allotment, they hope it contains treasure that will change their lives forever. Changes ARE coming, but the whole family is in for a bunch of surprises. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| One, Two... One by Alexis Coward |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 16 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act drama |
| Synopsis | Two homeless people are sleeping rough in an alleyway. They pass the time in conversation which becomes ever more intimate and emotional. Their relationship comes to an abrupt end when the immense value of their meagre possessions is brought to life. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Onion Rings: The Tale Of A Very Bad Date by Susan Gayle Haws |
| Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. An additional 8 to 12 band/crowd characters can be played by actors on stage or as pre-recorded voices. |
| Run Time | Around 28 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act comedy with various settings. |
| Synopsis | Shirley has returned to her hometown after 40 years for a school reunion. She has been in Facebook contact with Bill, also from her school, and has accepted his invitation to dinner. Things do not go according to plan, Bill’s addiction to onion rings being the least of Shirley’s problems. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Open Evening by David Dunn |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Three speaking parts and one unconscious cameo! Gender entirely flexible. |
| Run Time | Around 5 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy sketch for teenagers. Part of the Bite Size collection of Vampire plays |
| Synopsis | Three teens are getting ready for their vampire school open evening. Though they only have to get the drinks area ready, they've had a good look around and are ready to discuss all the other departments. Something tells me this is a night school... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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