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| Reading for Pleasure by Louise Wade |
| Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 19 minutes. [Estimated!] |
| Music | None. |
| Style | Short light comedy play with a single domestic setting. |
| Synopsis | It's Book club night and host Tina is nervous because she couldn't get through 'Tess of the D'Urbervilles'. Fortunately her husband knows it well and writes her notes on some napkins. But she's not the only one who struggled. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Reading it Back by Gabriel Chanan |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act comedy with a single (office) setting. |
| Synopsis | Author Arnold struggles with the plot of his latest novel and enlists the help of Julia. As work progresses, their relationship starts to mirror the written word. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Reality? by Bob Tucker |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. Two adults and one teenager. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Startling fifteen minute play. Single set (just a couch), minimal props. |
| Synopsis | What's going on? They appear to be a family, but they don't agree about who's who - or, indeed anything else!
Parallel universes are colliding in one house, causing confusion about identity, location and time.
(Okay, strictly, if they are parallel it should not be possible for them to collide, but the grammatical part of 'Multiverse' theory is not yet as advanced as the mathematics, so you'll just have to put up with an imprecise description!) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Reason by Katherine Melmore |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 7 minutes. [Estimated!] |
| Music | None. |
| Style | A dramatic monologue, suitable for youth theatre, with no set requirement. |
| Synopsis | Homeless Wendy relates her experiences of living on the streets and brings her encounters to life. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Reasonable Doubt by A.D. Peters |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 65 minutes. [Estimated!] |
| Music | None. |
| Style | Play in two short acts - courtroom drama and crime - the way the jury sees is, and the way it happened. |
| Synopsis | A tense courtroom drama with the prosecutor battling a slick defence lawyer at the murder trial of social misfit Josephine Mason. The second act takes the form of a flashback portraying the murder of which she is accused. We are left with the dilemma of knowing jury's decision before we learn the identity of the murderer. We are then able to evaluate the justice of the verdict, wherein lies the final twist. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Reburying King Richard the Third by Cheryl Barrett |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. Middle aged men. |
| Run Time | Around 6 minutes. [Estimated!] |
| Music | None. |
| Style | A comedy sketch, minimal set, outdoors during a funeral procession. |
| Synopsis | Dave and George are standing at the roadside watching the procession of King Richard The Third's remains, as it makes its way through the streets of Leicester. They chew over some history, enjoy commenting on the merits of a good send-off, and the spectacle of this occasion. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Rector of Stiffkey by Graham Jones |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | Essentially, this is a courtroom drama set in the afterlife, with the audience cast as the jury! Minimal set and props. |
| Synopsis | Harold Davidson has arrived in Limbo, and a lot depends on the nest few minutes - how he accounts for the extraordinary events of his life until his death by mauling will determine where he goes from here. Was he really immoral, or a modern-day saint treated badly by the church?
This is the true story of Harold Davidson known in the 1930s as 'The Rector of Stiffkey'. His unfrocking by the Church of England was a cause celebre but he attained even greater notoriety by later preaching in a lion's den at a circus. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Red And The Wolf by Dawn Cairns |
| Roles | Minimum Male roles = 5. Minimum Female roles = 3. Minimum total with doubling = 19. Minimum total without doubling = 29. Chorus. Characters include a wolf, pigs, squirrels, and an ogre and his wife. (Make your own mind up as to the appropriate gender distribution.) |
| Run Time | Around 100 minutes. [Estimated!] |
| Music | The Producer's Copy of the script contains suggestions for 15 songs. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | Full-length British pantomime mixing comedy and songs with an original take on familiar fairytales. |
| Synopsis | In this re-vitalised version of the Red Riding Hood story as well as the Big Bad Wolf we also come across the evil Ogre and his wife and obnoxious children. The Three Little Pigs have been made homeless by the Ogre as has Mrs Boot and all her children. Dame Granny Hood and her unlikely witch helpers are able to save the day. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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The Red Balloon by Damian Trasler
Best Play, GDA Festival 2006
'A breath of fresh air' (competition judge giving 5 awards, Radnor 2010), Performance by Royal Manor Theatre won Best Youth Play at the Dorset Drama League Festival, 2013 |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Single set (bare stage, with a few items of furniture brought on during the piece). Few props. Explores the nature of live theatre! |
| Synopsis | A couple interrupt the premier of a piece of Modern Theatre and claim it's all rubbish. The performer challenges them to produce something better, and the three begin to work on the piece together. What will they come up with by the end of the evening? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| Red Card by Alan Robinson |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | Short one-act play, single domestic set (which could be done with furniture only). Contains mild swearing. |
| Synopsis | Bex, Shaz and Trish, three unattached girls looking for Mr Right, decide to hole themselves up in their appartment in an attempt to escape the ordeal of 'The Festival of Guilt' that is Valentine's Day. But the arrival of an anonymous card leads not to love, but to a war of words and confessions bound to test their friendship... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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