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Rusticesses by Bob Tucker |
Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
Run Time | Around 20 minutes. [Estimated!] |
Music | None. |
Style | Collection of three linked sketches. No set requirements, simple props. The sketches could be presented together, or could be used separately (for example as front-of-curtain interludes in a sketch show). |
Synopsis | Two ladies of dubious intellectual capacity discuss life, husbands and their impending motherhood in three encounters. Described by the author as a self-supporting companion to 'Rustics' by which he means that the concept is similar (this is the female counterpart), but the scripts are totally independent. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Rustics by Bob Tucker |
Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
Run Time | Around 25 minutes. [Estimated!] |
Music | None. |
Style | Collection of four sketches. No set requirements, simple props (and only two of those). The sketches could be presented together, or could be used separately (for example as front-of-curtain interludes in a sketch show). |
Synopsis | Two local yokels discuss whatever comes to mind! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Ruth by Graham W Evans |
Roles | Minimum Male roles = 9. Minimum Female roles = 7. Minimum total with doubling = 17. Minimum total without doubling = 17. Chorus. Choir parts double as crowd, with a minimum of eight. |
Run Time | Around 58 minutes. [Estimated!] (Including 5 minute overture.) Pilot production run-time: 75 minutes. |
Music | Full scores for the Overture plus 15 songs are provided with the Producer's copy of this script. Lyrics are embedded within the script. |
Style | A biblical musical in one act, Various settings, but simple (minimal) sets. |
Synopsis | A musical re-telling of the story of Ruth. The themes included follow closely the threads that weave through the book of Ruth in the Old Testament of the Bible, and relate to subjects close to the hearts of most of us - those of loving kindness, caring and the need for a safe refuge. The music is varied and modern, with sonorities and rhythms quickly recognised and readily learnt by young and old alike - ballads for solo singers and duets, interspersed with pieces, some serious and some comical, for a choir. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Extras | The following additional items are available (at extra cost) to go with this script: ** A 'rehearsal CD' with piano arrangements of songs from the show ** A 'backing track CD' with arrangements of songs from the show
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Click here to read the script or Click here for more details. |
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The Sacrifice by Rebecca Preen |
Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
Run Time | Around 15 minutes. [Estimated!] |
Music | None. |
Style | Emotionally powerful fifteen minute drama that manages to examine the effect of trauma on a whole family without stepping outside the hospital room of the patient. |
Synopsis | Beth is in a coma, and her family wait by her bedside, but as time passes it becomes clear Beth is not going to wake up. Her Mum is the most reluctant to move on, but even she can't fool herself any longer. But they can't hear what's happening inside Beth's head... |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Sad Angel by Robert Foylan |
Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 7. No chorus. |
Run Time | Around 33 minutes. [Estimated!] |
Music | None. |
Style | One-act drama set in a park. |
Synopsis | Grace is walking in the park, preparing herself for a dramatic moment in her life, when she meets a sad-looking man. He seems to know a lot about her and her life, but could he really be her guardian angel? |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Sadist by Brent Holland |
Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. The age of the Sadist is not specified, the rest are teenagers. |
Run Time | Around 24 minutes. [Estimated!] |
Music | None. |
Style | One-act horror story for a teenage cast. Single (remote cabin) setting. |
Synopsis | A group of young friends are involved in a serious road accident deliberately contrived by the Sadist who imprisons the victims and puts them through a callous game. The strength of their friendship is severely tested. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Saga of Freydis and the Raiders by Geoff Bamber |
Roles | Minimum Male roles = 5. Minimum Female roles = 5. Minimum total with doubling = 13. Minimum total without doubling = 17. Chorus. |
Run Time | Around 40 minutes. [Estimated!] Optional interlude for song and dance. |
Music | None. |
Style | One-act play for kids. Simple sets. Not specifically musical, but there is an optional interlude for song and dance. |
Synopsis | It is 980 A.D. and Freydis nurtures an ambition to become famous by getting herself into a Norse Saga. To do this she must impress The Wise One (Recorder of Sagas) with some deed of daring, a great adventure or victory in some ferocious battle. Unfortunately she has been told time and time again that the Saga is a male-only preserve. Undeterred she seeks to break the mould by sailing across the oceans to discover the New World, the safer alternative to going head-to-head with local bully-boy, Thorbrand the Destroyer. A tale of ambition, daring and Skandiwegian furniture. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Saint Nicholas and the Three Purses of Gold by Timothy Hallett and Nicholas Richards |
Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 9. Chorus. Technically, there are no characters - that is to say, it could be sung by a soloist. In practice, the intention is for the singing to be shared between several narrators and a chorus whilst the story is mimed by actors. |
Run Time | Around 12 minutes. [Estimated!] |
Music | The Producer's Copy of the script comes with a complete piano and vocal score. |
Style | A sung story. (Technically, that makes it a Cantata, but don't let the fancy name put you off!) Does not require any set or props, but props could be used as part of a mime of the story. |
Synopsis | Where does our modern Santa Claus come from? He's descended from legends of Saint Nicholas, the fourth century Bishop of Myra - legends such as this one! |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Extras | The following additional items are available (at extra cost) to go with this script: ** A 'backing track CD' with arrangements of songs from the show
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Click here to read the script or Click here for more details. |
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Salem Witches by Gerald P. Murphy |
Roles | Minimum Male roles = 7. Minimum Female roles = 8. Minimum total with doubling = 15. Minimum total without doubling = 15. Chorus. Characters cover a range of ages. Could be played by a youth theatre company or a mixed-age company. |
Run Time | Around 45 minutes. [Estimated!] |
Music | Piano and vocal scores for seven original songs are supplied with the Producer's copy of the script. |
Style | Play with music. Structurally in two acts, but of one-act length (that is to say, it could form half an evening's entertainment!) |
Synopsis | Historical drama, based on the events in Salem Massachusetts in 1692 when personal disputes spilled-over into accusations of witchcraft and the prosecution of numerous townsfolk. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Extras | The following additional items are available (at extra cost) to go with this script: ** A 'rehearsal CD' with piano arrangements of songs from the show
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Click here to read the script or Click here for more details. |
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Samaritans, Can I Help You? by Brendan Williams |
Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
Run Time | Around 45 minutes. [Estimated!] |
Music | None. |
Style | One-act play, dealing with a disturbing subject. Single simple set, simple props. Contains swearing and sexual themes. |
Synopsis | A man in torment over a love affair calls the one organisation he feels might listen without prejudice. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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