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| Tumultus by Nicholas Richards |
| Roles | Minimum Male roles = 10. Minimum Female roles = 3. Minimum total with doubling = 18. Minimum total without doubling = 27. Chorus. Most of the named characters are written male (for reasons of historical verisimilitude), but some could be played female. The two groups of supporters could accommodate a large number of extras, up to the capacity of your amphitheatre. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Short drama (played for comedy) in which the protagonists speak Latin and the narrators, where necessary, translate. This is based on a real event, reported by the military historian Tacitus. |
| Synopsis | In 59 AD, a disgraced Roman Senator, Livineius Regulus, put on a spectacular gladiatorial contest in Pompeii. An incident at the contest sparked a riot (the Tumultus of the title) between Pompeians and rival supporters from Nuceria. This play takes us through the events.
(The run time may be extended, depending on the time spent in gladiatorial contests and riot.) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Turing Test by Stuart Ardern |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus. Three principal females. The cafe manager, carer and social services manager could be male or female and could be played by one actor. Equally, the carer could be played by two actors, each taking a scene. |
| Run Time | Around 49 minutes. [Estimated!] |
| Music | None. |
| Style | An emotional one-act drama in which a family confronts dementia.. (Could be staged with just furniture, making it a good festival piece.) |
| Synopsis | Alison Grove, an artificial Inteligence researcher, is struggling to cope with her mother's Alzheimer's disease when she should be focused on the question of whether machines are capable of rational thought. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Turning The Tables by Bob Hartwell
New |
| Roles | Minimum Male roles = 4. Minimum Female roles = 5. Minimum total with doubling = 9. Minimum total without doubling = 11. No chorus. Nine on-stage characters and two offstage (male) voices. |
| Run Time | Around 114 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length, fast-paced comedy in a single café set. |
| Synopsis | Londoner Freddie Fleetwood buys the Cozee Corner Café in a rural village, planning to open an upmarket eaterie. But the cook and waitress regard themselves as fixtures and fittings, and an elderly customer always shows up even when the place is closed. Throw in Freddie's dodgy business adviser and a French chef who cannot speak French, and all seems lost. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A TV With Just One Button by Ray Lawrence |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. Two men and a child. |
| Run Time | Around 4 minutes. [Estimated!] |
| Music | None. |
| Style | Short comedy sketch. Set indicative of a living room (seating, a television).
Also available as part of the Diamond Jubilee 2012 collection. |
| Synopsis | Mark and Bob grapple with a new television. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Twa Sisters by Tom Guest |
| Roles | Minimum Male roles = 1. Minimum Female roles = 6. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | Lyrics for four (out-of-copyright) Northumbrian folk songs are included in the script. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A grim but well told tale, with some nice moments of black humour. Five locations, but with minimal sets. |
| Synopsis | Jealousy and resentment leads Ailsa and Blyth to murder their sister Corinne. But Corinne’s absence doesn't get Blyth the respect she craves from their mother, nor does it win back Duncan for Ailsa.
Based on a North East folk tale, with a backdrop of folk songs from the region. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Twelfth Night [60-minute abridgement] by Shakespeare, abridged Jack Shaw |
| Roles | Minimum Male roles = 9. Minimum Female roles = 3. Minimum total with doubling = 12. Minimum total without doubling = 14. No chorus. |
| Run Time | Around 60 minutes. [Estimated!] |
| Music | None. |
| Style | Abridgement of William Shakespeare's 'Twelfth Night', with every word remaining Shakespeare's.
(The abridgement is copyrighted, so we charge for scripts and copying rights, but performances are royalty-free.) |
| Synopsis | A cross-dressing survivor of a shipwreck, separated from her twin brother, finds herself in the centre of a confusing love triangle. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Twelve Labours Exchange by Tony Domaille |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 3. No chorus. Hera is represented by an offstage laugh which might be recorded. |
| Run Time | Around 8 minutes. [Estimated!] |
| Music | None. |
| Style | Short Ancient Greek comedy - a riff on myth. |
| Synopsis | Hercules (Heracles to the Greeks) is out of work and looking for a job at the Labour Exchange. Preferably one where Hera won't find it easy to continue trying to kill him. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Twelve Months by Tony Best, adapted from Antonia Barber |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 19. Minimum total without doubling = 19. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play for junior/secondary school children, based on an Eastern European folk tale (translated by Antonia Barber). The author suggests a single set divided into three areas. |
| Synopsis | Marushka, the young stepdaughter of a widow, is always being ordered around and berated when she questions her stepmother's unreasonable requests. As punishment, her stepmother asks her to leave the house in January and only return when she has found a bunch of Violets - flowers which only grow in April. She dutifully acccepts, only to stumble upon the meeting-place of the twelve months of the year. They agree to help her, but when she returns with violets, her stepmother has more tasks for her... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Twelve Odd Passengers by Olivia Arieti |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 14. Minimum total without doubling = 14. No chorus. The characters are nominally nine men and five women, but in the context the genders do not really matter! |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | Short play for children. A single setting (nominally a guardroom, but only requires furniture, and not much of that). |
| Synopsis | Adapted from Hans Christian Andersen's The Mail Coach Passengers the months of the year introduce themselves with descriptions of their attributes. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Twist by Geoff Bamber |
| Roles | Minimum Male roles = 6. Minimum Female roles = 3. Minimum total with doubling = 16. Minimum total without doubling = 22. No chorus. |
| Run Time | Around 55 minutes. [Estimated!] |
| Music | None. |
| Style | Whirlwind adaptation of Dickens' Oliver Twist as a one-act comedy for kids. |
| Synopsis | Wide-eyed innocent Oliver progresses from orphanage to workhouse to den of thieves to prison cell and then back onto the mean streets as a fugitive, and not only from the law. No matter, things can only get better, can't they? Even the ever-optimistic Oliver is beginning to have doubts about that. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| Click here to read the script or Click here for more details. |
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