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| We Are Not Amused by Richard Morris |
| Roles | Minimum Male roles = 8. Minimum Female roles = 7. Minimum total with doubling = 15. Minimum total without doubling = 22. Chorus. The characters are a mix of adults and children, intended to be played by children. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | Lyrics to three songs (to traditional melodies) are embedded in the script Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | Exploration of Victorian society in a mixture of verse and prose. |
| Synopsis | Museum exhibits come to life to explore aspects of Victorian society. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| We Are The Cure by Trevor Suthers |
| Roles | Minimum Male roles = 3. Minimum Female roles = 6. Minimum total with doubling = 14. Minimum total without doubling = 14. No chorus. |
| Run Time | Around 80 minutes. [Estimated!] |
| Music | None. |
| Style | A full-length dystopian thriller with a single (schoolroom) setting. Ideal for youth theatre. |
| Synopsis | A group of teenagers, subjects of a genetic experiment raised to believe they possess a cure for the plague that is raging through global society, escape from their compound during a cataclysmic flood. They come upon a ruined school and are amazed to find two normal children sheltering there. As surviving staff from the compound seek them out, they help each other in their desperate situation. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| We Don’t Like To Be Beside The Seaside by John Peel |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 7. No chorus. Six on-stage characters plus a radio announcer (who could be recorded). |
| Run Time | Around 102 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length play with a single main-stage set and occasional action in other places, set in downstage areas. |
| Synopsis | It's an annual event for three married couples to take a cottage by the sea. One couple drops out at the last minute. But they have found two younger unattached women to take their place. Things get complicated when it turns out the newcomers may be unknown to the wives, but not to the husbands. The question is, by design or destiny? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| We Have Character by Sherrill S. Cannon & Kerry E. Gallagher |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 26. No chorus. A narrator and (up to) 25 children. Since all the children's roles could be doubled, in theory it could be done by a cast of two, but in practice it is intended as a full-class piece. |
| Run Time | Around 25 minutes. [Estimated!] With songs, which may vary the length of performance. |
| Music | The producer's copy of the script includes suggestions for up to eight songs. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | One-act performance piece for young children. |
| Synopsis | A rhyming exploration of well-known children's books, with simple parables drawn from the characters. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| We Have To Talk by Don Lowry |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 6. No chorus. If the three scenes were to be played separately, the three couples could be played by the same pair of actors with changes of costume and style. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | Short play comprising three short sketches on one theme. Written to be played continuously, but the three could be spaced out through an evening of short pieces. No set, so could be played front-of-curtain. |
| Synopsis | Three relationships have reached the point where the couples need to talk. It's curtains for two pairs, but the third might just make it... even if it's for the strangest of reasons. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| We Interrupt This Revolution by Damian Trasler |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 4 minutes. [Estimated!] |
| Music | None. |
| Style | A short comedy sketch, set in the aftermath of a revolution. |
| Synopsis | The new president of Sovazni is preparing for his inaugural address to the people but it is time for him to hear a few home truths about the glorious revolution. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| We Love Barney by Joseph A. Jones |
| Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act farce. Single domestic set. |
| Synopsis | Barney is to decide who is to become the Assistant Branch Manager, and competition is fierce. Will newly-separated Barney give in to the wiles of Sharon, or will he be persuaded by Phyllis's experience and dedication? And what of Nigel, who doesn't want the job, but is marrying a woman who wants him to have it? It's going to be a busy night at the company drinks party. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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We're All Dead by Jonathan Edgington
Selected for and performed (by Precipice Productions) at Stockwell Playhouse's 2019 One Act Playwriting Festival in London where it received a 'Highly Commended' award. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. Two of the male characters should look alike. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A one act ghostly drama with multiple settings (arranged by the actors). With adult themes and strong language.
First published in 2013, revised edition published 2019. |
| Synopsis | With time shifting between the present day and 1973, Russ and Rachel experience life changing events brought about by Russ's encounter with his younger self. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Weakest Pupil by Nicholas Richards |
| Roles | Minimum Male roles = 7. Minimum Female roles = 5. Minimum total with doubling = 12. Minimum total without doubling = 13. No chorus. Two teachers, a class of pupils and a voiceover. (Assumed to be played by kids, but could be played by a mixed group.) |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten-minute comedy skit set in a classroom, with an oddly familiar theme. |
| Synopsis | Mr Blenksworthy-Fingleton hasn't arrived to take his lesson, and the class are looking forward to some rebellious play, thus Mrs Robertson, the supply teacher, comes as a nasty surprise. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Wedding Day by John F. Glen
Performance by Thurso Players won two trophies and came second overall in the SCDA Caithness Adult Festival of One Act Plays, Feb 2008 |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 9. No chorus. Range of ages - three adult generations of one family. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play. Simple set (two pieces of furniture - so easy to stage as a competition piece). Contains mild swearing. |
| Synopsis | Annie, elderly matriarch of a family, looks back on a long life on the day her granddaughter gets married. She recalls the wedding of her daughter and her own wedding day, as well as some sadder memories. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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