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| Don't Bury The Banjo by John Peel |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. Five speaking roles and two non-speaking pallbearers. |
| Run Time | Around 130 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length drama - with comedy and pathos - with a single kitchen/store room setting. |
| Synopsis | Ruth Thwaites is preparing for her husband's funeral, and is delighted her son Jake has come home for it. But Jake's life in the big city isn't all he's made it out to be, and his 'friend' Roiseen has tracked him down to break some big news. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Don't Get Me Started... by Cheryl Barrett |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 6 minutes. [Estimated!] |
| Music | None. |
| Style | Poignant comedy monologue set in the aftermath of a party. |
| Synopsis | Marilyn, a middle-aged domestic goddess, has an expensive lifestyle to maintain. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Don't Look Back by Liz Dobson |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 55 minutes. [Estimated!] |
| Music | None. |
| Style | A drama of one-act play length (though structurally it's in three acts). Single domestic set. |
| Synopsis | A young couple, John and Suzan, stranded in a remote village cut off from the outside world by blizzards are given warm hospitality in her charming little cottage by seemingly kind old lady, Mrs Latham. It is gradually revealed that, in the past, her cottage was the scene of an unsolved murder in which she may have been involved and that intriguingly Suzan bears an uncanny resemblance to the victim. This gives the play the germ of a Gothic feel and sets the scene for an exciting, at times gripping and ultimately heart-warming tale. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Don't Mention the Dream by Damian Trasler |
| Roles | Minimum Male roles = 1. Minimum Female roles = 3. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play. Single set, modern realism, character, explores approaches to staging Shakespeare. Contains mild swearing. |
| Synopsis | It's the annual meeting of the Drama Society, but they're a bit thin on the ground this year. Will Russell get his way and produce a period 'A Midsummer Night's Dream' or will Lucy put a spanner in the works? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| Click here to read the script or Click here for more details. |
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Don't Shout by Steve Menary
A Winner of the Lost Theatre Company Five Minute Festival, 2009 |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Two adults and two children (could be played by four kids.) |
| Run Time | Around 4 minutes. [Estimated!] |
| Music | None. |
| Style | Very short play. Single set, no requirement for props. Part of the Emotions collection of shorts. |
| Synopsis | A brother and sister (who may have done something wrong) run rings around their parents in this funny short that will have kids and parents nodding in recognition. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Don't Stand on Ceremony by Peter May |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 3 minutes. [Estimated!] |
| Music | None. |
| Style | A short comedy sketch with a single (church) setting. |
| Synopsis | Two elderly ladies, distant members of the groom’s family, are waiting in the church before the wedding ceremony, and discussing proceedings. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Don't Stay In There Too Long by Hugh Smith |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 21 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy play, with a single (22nd century) set. |
| Synopsis | At a cryonics company, a drug dealer has been brought back to life after ninety-seven years in suspension. The only problem is that he booked in for just eight years. How will he take the news that a computer glitch is to blame for his extended stay? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Don't Touch the King by Anna Russon |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 11 minutes. [Estimated!] |
| Music | None. |
| Style | A short drama with a single (living room) setting. |
| Synopsis | Recovering from psychiatric difficulties, Danny finds solace in playing chess with his friend Aiden. As the game progresses, it becomes clear that Aiden is not the person Danny thought he was. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Don't You Get It? by Herb Hasler |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. Whilst the central character is written (addressed as) male, it is the author's intention that all the characters could be played by either gender. The characters are two adults, two children, though all could be played by secondary school students. |
| Run Time | Around 5 minutes. [Estimated!] |
| Music | None. |
| Style | A complex short (in that it has three locations - though each could be created by minimal indications) with lots of scope for interpretation. |
| Synopsis | A schoolchild encounters a few examples of communication failure during a typical day. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Donegal Calling by John Peel |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 11. No chorus. Six on-stage characters, five off-stage voices. |
| Run Time | Around 120 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length drama in a single set (which needs only furniture). |
| Synopsis | Roisin and Johnny, strangers, are thrown together one evening in the busy foyer of a hotel. They share a bottle of wine and conversation brings out major events in their lives. Both had fallen in love - both relationships ended tragically, for very different reasons - but Donegal keeps calling them back. One year later in the same hotel, the same busy foyer, they meet again as friends. More information about past events comes to light - enough to clear the way to give them a future together? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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