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| Dracula by Damian Woods |
| Roles | Minimum Male roles = 8. Minimum Female roles = 6. Minimum total with doubling = 14. Minimum total without doubling = 14. No chorus. |
| Run Time | Around 62 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length drama adapted from the Bram Stoker novel. This has been written to be easily staged, by use of props, lighting and sound, rather than elaborate sets. |
| Synopsis | The classic gothic tale is authentically brought to life, as young lawyer Jonathan Harker is sent to a Transylvanian castle to meet with the mysterious Count Dracula, who is planning to move to England. But he doesn't realise that the Count has a taste for blood... |
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| Dracula - A Pain in the Neck by Daniel Krueger & Elwood Johnson |
| Roles | Minimum Male roles = 7. Minimum Female roles = 6. Minimum total with doubling = 13. Minimum total without doubling = 23. Chorus. |
| Run Time | Around 120 minutes. [Estimated!] |
| Music | Sheet music for 18 original songs plus incidental music is supplied with the Producer's Copy of the script. |
| Style | Musical Gothic horror Melodrama! |
| Synopsis | A faithful translation of Bram Stoker's vampire classic to the musical stage, rendered in a melodramatic style! |
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| Extras | The following additional items are available (at extra cost) to go with this script:
** Conductor's score and band parts (Perc., Bass, Cello, Violin, Reeds 1 & 2, Trumpet, Trombone, Piano & Synth) for Dracula - A Pain in the Neck. Music by Elwood Jay Johnson, orchestrated by Wade Clark.
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| Dracula - The Final Countdown by Geoff Bamber |
| Roles | Minimum Male roles = 3. Minimum Female roles = 8. Minimum total with doubling = 15. Minimum total without doubling = 35. Chorus. Very flexible cast, with a mixture of speaking and non-speaking parts, opportunities for doubling and opportunities for changing the gender of some of the characters. |
| Run Time | Around 90 minutes. [Estimated!] |
| Music | None. |
| Style | A comic and melodramatic retelling of Bram Stoker's story as a full-length play for kids. Sets can be relatively simple, but a fair number of props are required - coffins, that sort of thing. |
| Synopsis | Solicitor Jonathan Harker finds himself despatched to Transylvania to sort out a property deal for a mysterious Dr. Acula. On arrival, Harker realises that that he has been the victim of a misprint, but he is so charmed by his welcome that he fails to realise that he has become something of a prisoner. Harker's plight is made more acute by the attentions of the Brides of Dracula, a voracious trio, who appear to have less than honourable intentions. With the improbable assistance of Dracula's servant, Igoretta, Harker escapes and returns to England, where, shortly afterwards, his fiancé finds herself in the company of a mysterious foreign gentleman. Little does she realise what is at stake... |
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| Dracula In Pantoland by Andrew Yates |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 17. Minimum total without doubling = 21. Chorus. Roles include bats, dwarfs and an Igor. |
| Run Time | Around 110 minutes. [Estimated!] Timing assumes six two-minute songs. |
| Music | The Producer's Copy of the script includes suggestions for six songs.
Two of them have original lyrics and arrangements for which backing tracks are available. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | Full-length British pantomime (with Transylvanian touches). |
| Synopsis | Worried about the prospects of finding a suitable wife in Transylvania, Dracula decides to spread his wings and try his luck further afield. Thanks to a glossy brochure for 'Pantoland' theme park, he is convinced that Snow White is the girl for him. Refusing to believe she is not real, he ups sticks, together with his dysfunctional household and heads west. |
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| Extras | The following additional items are available (at extra cost) to go with this script:
** Backing tracks of songs from the show as MP3 files
** Pantomime Fun-Packs - jokes and games for children, to supplement the programme for your show
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| Drama Club Must Die! by Gerald P. Murphy |
| Roles | Minimum Male roles = 6. Minimum Female roles = 13. Minimum total with doubling = 26. Minimum total without doubling = 35. No chorus. Characters are a mix of adults and children, but all could be played by children. |
| Run Time | Around 70 minutes. [Estimated!] |
| Music | Complete set of original lyrics and musical arrangements based on traditional tunes supplied with the Producer's Copy of the script. |
| Style | Musical play set in an American High School (but could be played by younger children). Simple sets. |
| Synopsis | The High School budget needs to be cut. The drama club is under threat from the unsympathetic principal. Can the Drama Club save themselves by creating a production of The Wizard of Oz from scratch? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'rehearsal CD' with piano arrangements of songs from the show
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Dreadfully Good by Peter Robbie
New |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 22 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play for a cast of 5, set in a theatre. |
| Synopsis | As they await the adjudicator's verdict, two amateur actresses pass their own judgement on the performances at a drama festival. But their bitchiness causes trouble in the auditorium and the adjudicator turns out to be an old 'friend'. |
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| Dream Holiday by Elizabeth Poynter |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | An emotional drama with a twist. Single living room set. |
| Synopsis | Ellie and her daughter Lisa have just returned from the perfect holiday. But then Lisa disappears. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| Dream Job by Frank Gibbons |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 6 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy sketch set in an interview room (so a desk and a couple of chairs). |
| Synopsis | A job interview for a man who has - and knows he has - a nasty streak. |
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| The Dream! by Jack Shaw |
| Roles | Minimum Male roles = 5. Minimum Female roles = 4. Minimum total with doubling = 10. Minimum total without doubling = 12. No chorus. Ten on-stage characters plus two offstage voices, which might be pre-recorded. |
| Run Time | Around 121 minutes. [Estimated!] |
| Music | None. |
| Style | A full-length comedy. Act 1 follows the rehearsal process of a rural amdram society, Act 2 presents their take on A Midsummer Night's Dream. |
| Synopsis | Cowmoor Comedy Crew, a rural amateur group with a history of failure, can only dream of winning the County Drama Cup. New director Mo offers to direct them in a sixty-minute version of A Midsummer Night's Dream. They're not keen on the Bard, but Mo shows them that Shakespeare can be a lot of fun to act, as well as very funny to watch. |
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The Dreaming by Richard James
Best Seller Performance by Maidenhead Drama Guild won Best Play and Best Actor at the Henley Drama Festival, 2017. |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. The characters are written male, but could be either. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play, suitable for a bare stage presentation. |
| Synopsis | Two men find themselves in a featureless room, with no memory of how they arrived there, or even who they are. Their only clues come from scraps of paper on the floor, that seem to mirror words they have spoken. Can it be true that they're just characters in an unwritten play? |
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