|
| Goldilocks, Three Bears and the Detectives by Juliet Devon |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 14. Minimum total without doubling = 14. No chorus. |
| Run Time | Around 70 minutes. [Estimated!] |
| Music | None. |
| Style | Family show, structurally in two acts, but run-time on the boundary between one-act and full-length. (Could be expanded with songs at the discretion of the production.) |
| Synopsis | The Bears' cottage has been ransacked - porridge eaten, furniture wrecked, and someone looking a lot like Goldilocks fled the scene when the Bears came home. But is she really guilty? The detectives investigate. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Goldilocks: Bears All by Jonathan Goodson |
| Roles | Minimum Male roles = 5. Minimum Female roles = 11. Minimum total with doubling = 22. Minimum total without doubling = 22. Chorus. |
| Run Time | Around 114 minutes. [Estimated!] |
| Music | Sheet music for 1 original song is provided with the Producer's Copy of the script. The Producer's Copy also contains suggestions for a further 11 songs. |
| Style | Large-cast British panto with an original story, spun out from the story of Goldilocks and the three bears. |
| Synopsis | Goldilocks loves the woods and all the creatures in them, but her sister Raven loves Lancelot, and he loves her. Doesn't he? Surely he’s not just trying to gain possession of the cottage they live in to get access to new coalfields? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** Vocal Demo and rehearsal track (piano with vocal line played on another instrument) for 'Crystal Shallows', the original song from 'Goldilocks: Bears All' by Jonathan Goodson.
|
| Click here to read the script or Click here for more details. |
|
|
| The Golf War Widows by Damian Trasler |
| Roles | Minimum Male roles = 0. Minimum Female roles = 3. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | Single set (a bar), modern realism, analysis of character, behaviour and relationships |
| Synopsis | Three women meet behind the scenes at a corporate Golf Tournament. Theresa is a wife who has built her own business in response to her husband's obsession with work and her own fading looks. Dotty has brought up a family despite the disinterest of her husband and Rachel... became a crime-fighter. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Golfer by Graham Jones |
| Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 7 minutes. [Estimated!] |
| Music | None. |
| Style | A farcical comedy sketch set in the lounge of a golf club. |
| Synopsis | Two established members are horrified by the antics of new member Reg, who seems to have little knowledge of the game or it's protocols. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
Gone by Jonathan Edgington
A winning entry in both Live Theatre's and Maskers Theatre Company's playwriting competitions in 2010. Didcot Phoenix Drama's filmed version won the Best Play and 2 other awards at the 2021 Spelthorne and Runnymede Virtual Drama Festival. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 16 minutes. [Estimated!] |
| Music | None. |
| Style | Fifteen-minute play with an air of mystery! Single set which requires a garden seat and a half-finished pergola. Originally published 2010, revised 2018. |
| Synopsis | George's wife is missing. He knows where she went, but not where she is. Dare he tell the truth to anyone? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Good Advice by Olivia Arieti |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 7 minutes. [Estimated!] |
| Music | None. |
| Style | A short drama with a single (coffee shop) setting. |
| Synopsis | Encouraged by her worldly friend Alice, ageing spinster Norma starts to think about her love life, or the lack of it, when former sweetheart Bill comes into the café. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Good Elves Gone Bad by Sue Gordon |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 14. Minimum total without doubling = 14. No chorus. Whilst some of the character names are gendered, it doesn't really matter - they are, when all is said and done, a bunch of elves. (And a dwarf.) |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | A comedy play for kids with a secular Christmassy feel. |
| Synopsis | The elves of Santa's workshop have been making traditional toys for Christmas after Christmas. After the regulations have been changed so many times, they begin to wonder why they're slaving away in a workshop and not out having a holiday. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Good Enough by Karen Ankers |
| Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 19 minutes. [Estimated!] |
| Music | None. |
| Style | A hard-hitting one act drama |
| Synopsis | Single mother Janine struggles desperately with severe lack of confidence brought about by the derogatory voices of her parents, ex-husband and son which she relives in her head. These voices are played out on stage. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Good For Something by George Freek |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. Both in their seventies |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | A short, one act play, set in a center for the retired. |
| Synopsis | Lizzie and Max meet regularly for a game of checkers during which they come closer together and are able to confide in and advise each other. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Good For The Soul by Roger Lee |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | A ten minute comedy sketch |
| Synopsis | Steph wants to make a confession, but it's been a while since her last one, and she’s not too good at getting to the point. Her confessor has some trouble staying focussed, right up to the point where Steph finally admits what she's done. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|