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| The Tempest [60-minute abridgement] by Shakespeare, abridged Jack Shaw |
| Roles | Minimum Male roles = 7. Minimum Female roles = 1. Minimum total with doubling = 11. Minimum total without doubling = 13. No chorus. The character list, like all of Shakespeare's work, is male-heavy. That has not prevented excellent productions by majority female casts! |
| Run Time | Around 61 minutes. [Estimated!] |
| Music | None. |
| Style | Abridgement of Shakespeare on the boundary between a one-act and a full-lengh play. All words remain Shakespeare's, with one short speech added by the abridger to facilitate a character exit. |
| Synopsis | Since being usurped as Duke of Milan by his brother, Prospero and his daughter Miranda have lived on a deserted island. With the help of the spirit Ariel, he causes a tempest that shipwrecks his passing enemies. He aims to regain his dukedom and marry Miranda to Ferdinand, son of the King of Naples. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Tempest by Geoff Bamber |
| Roles | Minimum Male roles = 9. Minimum Female roles = 2. Minimum total with doubling = 12. Minimum total without doubling = 12. No chorus. The characters preserve Shakespeare's original, which means that the Naples court is all male. It need not be cast that way. |
| Run Time | Around 40 minutes. [Estimated!] |
| Music | None. |
| Style | A play originally written by William Shakespeare and completely altered by Geoff Bamber. (This version is in modern, humorous. English. It extends the story back in time to avoid the long exposition speeches of Shakespeare's second act!) |
| Synopsis | Prospero, Duke of Milan and part-time magician, is tricked into undertaking a hazardous sea journey by his treacherous brother, Antonio, who promptly takes over the duchy when Prospero is conveniently shipwrecked in a great storm. Prospero, along with his daughter, Miranda, survives the wreck and finds himself on a desert island. From there he uses his magic powers to gain revenge on Antonio and Alonso, King of Naples, who is unwittingly supporting Antonio under the influence of his own unscrupulous brother, Sebastian. With the principals all gathered on the same island, Prospero sets out to divide and conquer, a task somewhat hindered by the presence of a range of bizarre and possibly deranged supporting characters. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Tempting Fête! by Alan Robinson |
| Roles | Minimum Male roles = 7. Minimum Female roles = 6. Minimum total with doubling = 13. Minimum total without doubling = 13. No chorus. |
| Run Time | Around 120 minutes. [Estimated!] |
| Music | None. |
| Style | A full length action-packed farce with a single (village fete) set. |
| Synopsis | Cathy is trapped in an idyllic country nightmare. Her husband's gone native and she's been taken hostage by the ladies from the local Cake Club. Forced to run their cake stall, she decides to make her escape, only to find herself thwarted by squashed confections, tangled bunting, rampaging bullocks and irresistible temptation. Contains adult themes. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Ten Minutes Left by Bart Meehan |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 8 minutes. [Estimated!] |
| Music | None. |
| Style | A short play with minimal set requirements. Some strong language. |
| Synopsis | A couple’s previously staid relationship blossoms as they wait, knowing there are only ten minutes before an unknown catastrophe arrives. Is there time to remember their first meeting? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Ten Sixty Six... Ish by David Dean |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 3 minutes. [Estimated!] |
| Music | None. |
| Style | A brief comedy sketch, with minimal set. |
| Synopsis | It's 1067, which is a real problem for the Norman invasion, since it means they're a year behind schedule. Leaves on the water and alternate horse services notwithstanding, there's going to have to be some quick thinking to save the day. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Terminal 1 by Dave Payne |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Fifteen minute drama with a single (departure lounge) setting. |
| Synopsis | George and Lynda's flight has been delayed, so far by 9 hours. George becomes more and more annoyed whilst Lynda is strangely calm and collected. Their love for each other shines through as the reason for their journey - and the play's title - becomes poignantly clear. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Territorial Actors by tlc Creative |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 7. Chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten minute skit, no set requirements. Single prop (a field telephone) |
| Synopsis | A drill sergeant takes a set of rookie part-time actors through their paces. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Terror of the Crown by C.J. Jenkins |
| Roles | Minimum Male roles = 11. Minimum Female roles = 1. Minimum total with doubling = 13. Minimum total without doubling = 24. Chorus. Very flexible casting, with 13 principals who could play all the roles, but with minor roles and opportunities for chorus action. Male-heavy, as demanded by the story, but with a song for 'the women of Israel'. |
| Run Time | Around 77 minutes. [Estimated!] |
| Music | The producer's copy of the script comes with a score for the song sung by 'the women of Israel' in three versions - solo/unison, duet and quartet. The script also suggests an optional dance with percussive accompaniment. |
| Style | Dramatised biblical epic. |
| Synopsis | Framed by the story of two scribes, master and apprentice, faithfully copying out sacred texts, the tale of King Saul and his fall from Grace is told. His pride and love of kingly power prove to be his undoing. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A set of MP3 files with piano arrangements of songs from the show
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| Click here to read the script or Click here for more details. |
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| The Terrorist by Graham Jones |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | None. |
| Style | Action-packed thriller. Single set. Contains mild swearing and the aggressive use of a firearm! |
| Synopsis | Living a quiet life as a Hotel Manager, David's violent past comes back to haunt him when a guest recognises him. Getting rid of the troublesome man is just the beginning of his troubles, as the man's wife and David's own daughter dig into the mystery disappearance. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Tete-A-Tete by Paul Bovino |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 9. No chorus. Two characters (1M, 1F) are offstage voices only and can be doubled. |
| Run Time | Around 38 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act comedy with a single (living room) setting. |
| Synopsis | Much to his reluctance, Danny’s friends arrange a blind date for him. The date turns out to be his ex-wife Katrina. She brings shocking news for Danny, who has his own shock in store for her. The unseen neighbours become a catalyst for a re-union. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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