|
| One in the Eye by Bill Siviter with Lea Anderson |
| Roles | Minimum Male roles = 5. Minimum Female roles = 1. Minimum total with doubling = 13. Minimum total without doubling = 21. Chorus. Since the characters include 'William's Army' and 'Harold's Army' the numbers are rather vague (or very flexible, depending on the gloss you want to apply). Most of the characters are supposedly male, but don't let that stop you. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | The Producer's Copy of the script comes with sheet music for six original songs (one of which is reprised). |
| Style | An educational, historical, rhyming comedy musical. (There. What does that leave out?) |
| Synopsis | The story of the Harold, the last Saxon king of England who proves adept at dealing with his riotous brothers and Viking invaders, but is finally overcome by William, Duke of Normandy, with his secret weapon... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'rehearsal CD' with piano arrangements of songs from the show
|
| Click here to read the script or Click here for more details. |
|
|
One Solitary Line by Neil Walden
Winner of One-Act Play Writing Competition at Wexford Literary Festival 2017 |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. One (gender non-specific) character is an offstage voice only. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | A comedy sketch with a single (dressing room) setting. |
| Synopsis | Two actresses cast in a Shakespeare play bemoan the fact that the Bard gives so few opportunities for meaty female roles. This causes their relationship to become acrimonious. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| One, Two... One by Alexis Coward |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 16 minutes. [Estimated!] |
| Music | None. |
| Style | A short one act drama |
| Synopsis | Two homeless people are sleeping rough in an alleyway. They pass the time in conversation which becomes ever more intimate and emotional. Their relationship comes to an abrupt end when the immense value of their meagre possessions is brought to life. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Onion Rings: The Tale Of A Very Bad Date by Susan Gayle Haws |
| Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. An additional 8 to 12 band/crowd characters can be played by actors on stage or as pre-recorded voices. |
| Run Time | Around 28 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act comedy with various settings. |
| Synopsis | Shirley has returned to her hometown after 40 years for a school reunion. She has been in Facebook contact with Bill, also from her school, and has accepted his invitation to dinner. Things do not go according to plan, Bill’s addiction to onion rings being the least of Shirley’s problems. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Open Evening by David Dunn |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. Three speaking parts and one unconscious cameo! Gender entirely flexible. |
| Run Time | Around 5 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy sketch for teenagers. Part of the Bite Size collection of Vampire plays |
| Synopsis | Three teens are getting ready for their vampire school open evening. Though they only have to get the drinks area ready, they've had a good look around and are ready to discuss all the other departments. Something tells me this is a night school... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Open the Book by Jon Boustead |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 13. Minimum total without doubling = 14. Chorus. The demons' lines are split between three characters, but only to indicate there are several demons. They could be shared amongst as many demons as you have available. |
| Run Time | Around 23 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama - or possibly a modern melodrama - for youth theatre. Two locations, but no set required. (British English - including slang for 'cigarette'.) |
| Synopsis | The seven deadly sins are represented in the characters of the members of a theatre company rehearsing 'Faust'. Director Matt is the worst offender and is drawn into the grasp of Lucifer by a group of demons. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Opening Doors by Keith Badham |
| Roles | Minimum Male roles = 3. Minimum Female roles = 7. Minimum total with doubling = 10. Minimum total without doubling = 28. No chorus. |
| Run Time | Around 18 minutes. [Estimated!] |
| Music | None. |
| Style | Youth theatre drama played on an empty stage with one prop (a free standing door). An ensemble piece, with cast members taking multiple roles. |
| Synopsis | As the doorkeepers open the door we experience cradle to grave aspects of the characters' lives. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| The Order of the Pink Pantyhose by Erica Glenn |
| Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | An old-fashioned 'play' on manners and a light-hearted spoof of the traditional murder mystery. |
| Synopsis | Four elderly women-a fidgety hostess, her grumpy cousin, a southern belle, and a British cynic--sit down for afternoon tea. One is a murderer in disguise, one a detective in disguise, one a humanitarian worker in disguise, and one an innocent bystander (also in disguise). Conversation soon turns from the state of the weather to the untimely death of Great-Aunt Charlotte Robinson (the undercover leader of band of pantyhose thieves). And before you can say 'pink pantyhose,' an innocent tea party has turned into a dangerous (if slightly silly) game of 'who dun it?' |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Oscar's Adventure by Patricia Munene |
| Roles | Minimum Male roles = 8. Minimum Female roles = 5. Minimum total with doubling = 13. Minimum total without doubling = 13. No chorus. All the characters are animals from south-west Africa. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play for children set amidst Namibian wildlife! |
| Synopsis | Oscar is a Cheetah cub, living in a refuge, but he dreams of leaving and finding his mother. Helped to escape, he meets two other cubs and their mother, but not his own family. They adopt him and teach him to be wild, but Oscar still has some things to teach them. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Othello In Hell by Richard Gordon |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play based on the Shakespeare classic. |
| Synopsis | Trapped in an invisible prison, the spirit of Othello is tormented by his own memories and visions of those he has known in life. He seems doomed to repeat a cycle of regret and blame and rage, even when granted Desdemona’s forgiveness. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|