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| Teach by David Dunn |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. One adult and three children (could be played by four kids. Could also be played with some satisfaction by four teachers!) |
| Run Time | Around 4 minutes. [Estimated!] |
| Music | None. |
| Style | Very short play. Single set, simple props. Part of the Emotions collection of shorts. |
| Synopsis | A teacher struggles to prepare a very knowledgeable and opinionated class for exams by running over some methods of relaxation. Sadly, he can't practise what he preaches. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Ted by Steven Stack
Runner-up, 2018 Maine Principals' Association Drama Festival (Production by Central High School) |
| Roles | Minimum Male roles = 1. Minimum Female roles = 4. Minimum total with doubling = 9. Minimum total without doubling = 11. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | A quirky one act play, retelling the tale of Rumplestiltskin. A companion (same style, different tale) to Hansel and Gretel... and Sadie (Of Edible Houses, Risky Bargains, and Other Grimm Happenings) |
| Synopsis | This re-telling of the story has all the traditional aspects at first, but departs from the usual by dispensing with the royal marriage and the first-born part. A very off-beat comedy. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| A Teenage Christmas Carol by Richard James |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 8. Minimum total without doubling = 25. No chorus. Very flexible casting - there are 11 narrators, who could ultimately be condensed to one role, and other doubling would be possible. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten-minute play in a mix of verse (from the narrators) and prose (from the rest of the cast). No set requirements, simple props. |
| Synopsis | The great granddaughter of Ebenezer Scrooge needs to be taught the same lessons he learned - and in a very similar fashion! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Teething Troubles by Phil Birkett |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | None. |
| Style | Single set one-act comedy. |
| Synopsis | Jane is reluctantly acting as daycare for her granddaughter, Dakota, but she's less than maternal. Then she gets a visit from her ex-husband, on the prowl for funds for his latest venture, and she decides to rearrange her priorities. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Tell-Tale Heart by Edgar Allan Poe adapted Gerald P. Murphy |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | Stage adaptation of Edgar Allan Poe's short (Gothic Horror) story. Single figurative set. |
| Synopsis | Lucas takes a homeless man into his home. Convinced the homeless man posesses 'the evil eye', Lucas waits until the dead of night and murders him. Driven mad by guilt and the memory of the evil eye, Lucas is haunted by the homeless man's heart, beating under the floorboards... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Telling It by Annie Connell |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 27 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama. Two settings, but easily combined into a single set. |
| Synopsis | As two officers interview a woman claiming to be the victim of domestic violence, problems with her story make them suspicious. Despite her deception, she's still a victim, and it looks like there could be a violent offender out there. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Ten Minutes Left by Bart Meehan |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 8 minutes. [Estimated!] |
| Music | None. |
| Style | A short play with minimal set requirements. Some strong language. |
| Synopsis | A couple’s previously staid relationship blossoms as they wait, knowing there are only ten minutes before an unknown catastrophe arrives. Is there time to remember their first meeting? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Ten Sixty Six... Ish by David Dean |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 3 minutes. [Estimated!] |
| Music | None. |
| Style | A brief comedy sketch, with minimal set. |
| Synopsis | It's 1067, which is a real problem for the Norman invasion, since it means they're a year behind schedule. Leaves on the water and alternate horse services notwithstanding, there's going to have to be some quick thinking to save the day. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Terminal 1 by Dave Payne |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Fifteen minute drama with a single (departure lounge) setting. |
| Synopsis | George and Lynda's flight has been delayed, so far by 9 hours. George becomes more and more annoyed whilst Lynda is strangely calm and collected. Their love for each other shines through as the reason for their journey - and the play's title - becomes poignantly clear. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Territorial Actors by tlc Creative |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 7. Chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten minute skit, no set requirements. Single prop (a field telephone) |
| Synopsis | A drill sergeant takes a set of rookie part-time actors through their paces. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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