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| The Commandments by Gerald P. Murphy |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
| Run Time | Around 8 minutes. [Estimated!] |
| Music | None. |
| Style | A very black comedy, satirising the world of work and petty rules. |
| Synopsis | Four guards on their coffee break debate what rules should govern their lives - before their supervisor returns... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Confessional by tlc Creative |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. The characters are one adult and one teenager (both male owing to the particular nature of the teenager's concerns, and the traditions of priesthood). Could be played by two teenagers or two older folk with one acting as a teenager. (It's comedy.) |
| Run Time | Around 2 minutes. [Estimated!] |
| Music | None. |
| Style | Short comedy sketch. Set in a confessional booth, though a physical set is unnecessary, the location need only be indicated. |
| Synopsis | A stressed teenager visits a Priest to discuss his concerns... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Connection by Graham Jones |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | One-act comedy play. Not so much a whodunnit as a 'what on earth is going on'? As it morphs from a comedy of mistaken identity to thriller and back. Single (simple office) set. |
| Synopsis | Five strangers, with five very different problems, are called to a certain office to meet Mr Hargreaves... But he isn't there! Is there a more sinister reason for them being locked in together? Can they find out what connects them? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Connie's Kitchen by Maureen Speller |
| Roles | Minimum Male roles = 2. Minimum Female roles = 4. Minimum total with doubling = 6. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 16 minutes. [Estimated!] |
| Music | None. |
| Style | A short drama with a single (kitchen) setting. |
| Synopsis | Connie has lived in the same house since World War Two and has no intention of passing it on to unsuitable occupants, even if it means coming back to haunt the kitchen. Exchanges between a harassed estate agent and Connie’s ghost make for confusion all round. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Consulting an Ancient Doctor by Nicholas Richards |
| Roles | Minimum Male roles = 0. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 18. No chorus. |
| Run Time | Around 21 minutes. [Estimated!] |
| Music | None. |
| Style | A series of short educational scenes. The narration is in English and the dialogue in Latin. Suitable for Latin classes and assemblies. |
| Synopsis | A series of comic scenes set in Roman times in which an ancient doctor deals with various patients - in Latin. Narrators bind the scenes together, explain the Latin for those who need it, and provide some elementary background information on ancient medicine. The piece is designed as an educationally useful but recreational activity for Latin classes, and could make an entertaining Assembly or be interspersed with other pieces in an end-of-term show. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Contact by Bob Tucker |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 7 minutes. [Estimated!] |
| Music | None. |
| Style | Sketch, simple set (a park bench) no props. |
| Synopsis | In the park, Simon and Alice are both waiting... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Contestant by Allan Williams |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 9 minutes. [Estimated!] |
| Music | None. |
| Style | A comedy monologue with a simple (TV studio) set or can be played with no set. |
| Synopsis | Jake is a contestant on a TV quiz show. He obviously has a high opinion of himself and his abilities, but it soon becomes clear he is not as smart as he thinks he is. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Contract Killer by Tony Domaille |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | Comedy sketch for two actors. Set in a pub but can be played on an open stage. |
| Synopsis | Pub cat Tink's comfortable life is at risk when the owners call in a mouse-catching cat who wants to take his/her place. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Cops and Robbers by David Lovesy |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. One adult and one child (but it's comedy, so the age needs to be played, not necessarily actual). |
| Run Time | Around 2 minutes. [Estimated!] |
| Music | None. |
| Style | Short comedy sketch. No set required. |
| Synopsis | Barry explains to his dad how the kids today play cops and robbers... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Corner Property by Iris Winston |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. All three characters are written male. The character with the pack would be the easiest to change. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten minute play. Single set (with no requirements - could easily be played front-of-curtain. Contains swearing. |
| Synopsis | Joe and Peter, two former soldiers, beg for change on a street corner and watch the world pass them by - whilst underneath, there's a power struggle going on. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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