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Howdy by Henry P. Gravelle
Honorable Mention - Berlin Flash Film Festival, script competition, August 30, 2018 |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 5 minutes. [Estimated!] |
| Music | Bluegrass or banjo at curtain rise and close. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A short comedy sketch set in a motel reception. US English. |
| Synopsis | Two hillbilly outsiders need to find a resting place for the night. They are amazed and a little apprehensive by the modern wonders of a motel. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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Human Relations by Mark Niel
Winner in the Marie Curie One Page Play Competition competition, 2008 |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. The waiter is written male, but could easily be a waitress. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten minute comedy play, single (restaurant table) set, simple props. |
| Synopsis | Paula thinks she's just meeting her boyfriend for a pleasant evening out together, but he's an HR manager, and its been a year since they started going out, so there's got to be an annual review! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Feedback | Click here to find out what other customers said about this script. |
| Click here to read the script or Click here for more details. |
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A Human Write by Amelia Armande
Production by Ury Players won the 2018 Aberdeen SCDA district youth competition and the Kincardine district trophy. |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 11. Chorus. The writer is written male, though need not be. His thoughts - the chorus - are genderless. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | A fascinating one act drama that uses mime and rhyme to take us into the mind of a struggling writer. Contains one mild swearword. |
| Synopsis | The writer is grappling not only with his writing but also with his personal life as he desperately attempts to strike up a relationship with Janis, a beautiful girl he sees on a bus.
Well paced and gathering speed, the play uses the chorus to reveal the writer's thoughts - sometimes cogent, sometimes chaotic - come to life as the surreal become real. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Feedback | Click here to find out what other customers said about this script. |
| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| Humbug by Geoff Bamber |
| Roles | Minimum Male roles = 5. Minimum Female roles = 3. Minimum total with doubling = 14. Minimum total without doubling = 18. Chorus. |
| Run Time | Around 25 minutes. [Estimated!] |
| Music | None. |
| Style | Charles Dickens' A Christmas Carol presented as a short comedic play for kids. |
| Synopsis | When Jacob Marley dies he keeps his promise to come back and haunt his mean-spirited business partner, Ebenezer Scrooge. Scrooge has a particularly parsimonious attitude to Christmas and this reflects itself his treatment of his long-suffering employees, Bob and Molly Cratchit. In case Jacob's efforts to get Ebenezer to change his ways don't meet with success, he enlists the help of three ghostly friends. Will Christmas still be humbug or will Ebenezer see the light? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Hunting Death by Nicholas Richards |
| Roles | Minimum Male roles = 5. Minimum Female roles = 0. Minimum total with doubling = 5. Minimum total without doubling = 8. Chorus. The narrator's role could be split amongst several actors. There are opening and closing choruses which could be performed by the ensemble or by additional actors/singers. |
| Run Time | Around 25 minutes. [Estimated!] (The estimated run time assumes the music; without music it could be performed in 12 minutes.) |
| Music | The music is designed to run continuously, so there is one 25-minute score. (It is divided into sections for rehearsal purposes.) |
| Style | A short musical play, retelling the Pardoner's Tale from the Canterbury Tales. (Could also be performed as a verse play without the music.) |
| Synopsis | This drama recounts the story of three young men who bestir themselves from their wine-sodden lives to hunt and kill Death, but instead fall victim to him through greed and treachery. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** CD with full backing track (25 minutes) and full sung demo for Hunting Death by Nicholas Richards.
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| Click here to read the script or Click here for more details. |
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| Hunting Yetis by Andy Haynes |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. Michael is definitely male. The Yeti seems to be male, but it's hard to tell owing to the Yeti costume. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten-minute comedy play, single set (mainly a couch). Simple, funny and touching. |
| Synopsis | Michael wasn't expecting anyone to call, certainly not wearing a yeti suit. But this yeti comes bearing gifts - a pair of binoculars, a butterfly net and a letter Michael wrote when he was small, about how he was off to hunt yetis. Oh, and there’s a ticket to the Himalayas too... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| I 'Aven't The Foggiest by Cheryl Barrett |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. Brenda is a gauche, middle-aged Yorkshirewoman. (Make your own mind up as to what that means.) |
| Run Time | Around 8 minutes. [Estimated!] |
| Music | None. |
| Style | Short prose monologue with no need for a set. |
| Synopsis | Brenda recounts the day she went for a walk and got a lot more than she bargained for. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| I Am Not Marilyn Monroe by Fiona Scott Patrick |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 5 minutes. [Estimated!] |
| Music | None. |
| Style | Short comedy monologue, with plenty of acting challenges. |
| Synopsis | Zara is a twenty-something who has trouble sleeping and uses alcohol to help her. Her alcohol infused confusion becomes her reality and her love of old movie stars puts her in a fantasy world. She plays at being Marilyn Monroe. On being Marilyn, she comes across a new confident in the form of a six-legged spider whom she very appropriately decides to name Bobby Kennedy! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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I Believe In Angels by Tony Domaille
Octopus Youth. Bristol One Act Festival Best Youth Play award 1994. Runner up in the Five Counties One Act Festival 1994. |
| Roles | Minimum Male roles = 2. Minimum Female roles = 5. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 22 minutes. [Estimated!] |
| Music | None. |
| Style | A one act play, suitable for youth theatre, with a single (garden of remembrance) setting. |
| Synopsis | A group of teenagers meet to have a séance and call up the spirit of Steve, their friend who has died. Between them they confront their grief, fear, and what they can and cannot believe. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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I Googled You by Jonathan Edgington
Selected for and performed at the 2017 Salisbury Fringe 'Short Cuts' playwriting festival. Shortlisted for the 2018 Actor Awareness Intergenerational Night. |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Short comedy play for two actors. Can be performed on a minimal set. |
| Synopsis | Felix and Truly meet for the first time on a blind date. Felix is at first taken aback by Truly’s antics in her garden but the date goes ahead. Afterwards, the pair give a surprising final assessment. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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