|
| The Tell-Tale Heart by Edgar Allan Poe adapted Gerald P. Murphy |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 12 minutes. [Estimated!] |
| Music | None. |
| Style | Stage adaptation of Edgar Allan Poe's short (Gothic Horror) story. Single figurative set. |
| Synopsis | Lucas takes a homeless man into his home. Convinced the homeless man posesses 'the evil eye', Lucas waits until the dead of night and murders him. Driven mad by guilt and the memory of the evil eye, Lucas is haunted by the homeless man's heart, beating under the floorboards... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Telling It by Annie Connell |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 27 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama. Two settings, but easily combined into a single set. |
| Synopsis | As two officers interview a woman claiming to be the victim of domestic violence, problems with her story make them suspicious. Despite her deception, she's still a victim, and it looks like there could be a violent offender out there. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Ten Minutes Left by Bart Meehan |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 8 minutes. [Estimated!] |
| Music | None. |
| Style | A short play with minimal set requirements. Some strong language. |
| Synopsis | A couple’s previously staid relationship blossoms as they wait, knowing there are only ten minutes before an unknown catastrophe arrives. Is there time to remember their first meeting? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Ten Sixty Six... Ish by David Dean |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 3 minutes. [Estimated!] |
| Music | None. |
| Style | A brief comedy sketch, with minimal set. |
| Synopsis | It's 1067, which is a real problem for the Norman invasion, since it means they're a year behind schedule. Leaves on the water and alternate horse services notwithstanding, there's going to have to be some quick thinking to save the day. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Terminal 1 by Dave Payne |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | Fifteen minute drama with a single (departure lounge) setting. |
| Synopsis | George and Lynda's flight has been delayed, so far by 9 hours. George becomes more and more annoyed whilst Lynda is strangely calm and collected. Their love for each other shines through as the reason for their journey - and the play's title - becomes poignantly clear. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Territorial Actors by tlc Creative |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 7. Chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten minute skit, no set requirements. Single prop (a field telephone) |
| Synopsis | A drill sergeant takes a set of rookie part-time actors through their paces. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Thanks Mum (and Thomas Hardy) by Jonathan Edgington |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. Sam could be male or female. |
| Run Time | Around 4 minutes. [Estimated!] |
| Music | None. |
| Style | A short, poignant monologue (with prose book-ending a poem). |
| Synopsis | Sam's mother died recently. Sorting through her effects brings back memories of school and life-changing support that helped Sam to conquer dyslexia. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| That Goal by Stan Duncan |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 2 minutes. [Estimated!] |
| Music | None. |
| Style | Short, poignant prose monologue of appeal to people for whom interests in football and theatre intersect! |
| Synopsis | Denis is an ex-professional footballer, whose visitors remind him of his past glories. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| That Sinking Feeling by David Dean |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 7 minutes. [Estimated!] |
| Music | None. |
| Style | A monologue-sketch with a simple set. |
| Synopsis | A customer service call-taker deals with an unhappy customer - who is dealing with a situation on board the Titanic, and wants to know if the company will compensate her... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
That's Amore by Arnold Kane
Winner of the Cambridge Theatre Challenge, International Playwriting Competition, 2014 |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | A short comedy in a single (hotel bedroom) set. |
| Synopsis | A couple have retreated to a hotel room - a Film Director and a meek Librarian. There is playful banter, flirting, and plenty of champagne... Who can doubt what will come next? Apart from the phone call, of course. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|