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| COBRA by tlc Creative |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 2 minutes. [Estimated!] |
| Music | None. |
| Style | Short comedy sketch. Set in a meeting room. |
| Synopsis | A meeting of the top secret emergency response team covers some new threats... |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Code Breakers of Bletchley Park by TLC Creative |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. The Three characters are written male, but they could easily be played from the distaff side. |
| Run Time | Around 4 minutes. [Estimated!] |
| Music | None. |
| Style | Tthree short sketches from the 'Skitskrieg' Second-World-War revue show by TLC Creative. (This sketch written by David Lovesy and Steve Clark.) They could either be played continuously (as three scenes) or split up across an evening of sketches. |
| Synopsis | A celebration of the great technological breakthroughs by the boffins of Bletchley Park (and where they inevitably led). |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Coffee Morning Chaos by Jessica Sandys-Clarke |
| Roles | Minimum Male roles = 0. Minimum Female roles = 8. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten minute comedy play. Minimal set and props. |
| Synopsis | Some lady volunteers are preparing for the hoards who are about to descend - any moment now! - on a coffee morning. Fun with flapjacks, more scorn than scones and just as much gossip as you'd expect - but when is everyone going to arrive? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Coffee Shop by Ray Lawrence |
| Roles | Minimum Male roles = 0. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 5. No chorus. Whilst the script specifies three characters, two of them are played in different eras, so could be done by different actors. |
| Run Time | Around 4 minutes. [Estimated!] |
| Music | None. |
| Style | Short comedy sketch. Set in a coffee shop, but without need for any particular set.
Also available as part of the Diamond Jubilee 2012 collection. |
| Synopsis | A coffee shop customer has another encounter with the tyranny of choice! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Cold Case by Barry Lambert |
| Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. Written as 3M, 2F, but the waiter could easily become a waitress, with a few minor tweaks. |
| Run Time | Around 21 minutes. [Estimated!] |
| Music | None. |
| Style | Short, one-act comedy (with a crime drama lurking in the background). Single simple restaurant/bar setting. |
| Synopsis | Emma and Simon are celebrating their wedding anniversary in Tenerife when Emma recognises a man from a jewellery store robbery she investigated for the police thirty years ago. Tom was an employee at the store, but Emma always thought he knew more than he let on. She plucks up the courage to finally confront him. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Collateral Damage by George J. Bryjak |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 20 minutes. [Estimated!] |
| Music | None. |
| Style | A one act-drama with a single setting of a car, which can be suggested and performed by the actors. Strong language, emotional adult content, US English. |
| Synopsis | A US Army captain returns from his second tour of duty in Afghanistan, and is met by his wife at the airport. During the drive home, the initial joy of this reunion is shattered. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Colonel's Wife by Bob Hammond |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. |
| Run Time | Around 7 minutes. [Estimated!] |
| Music | None. |
| Style | A short sketch with two characters. Adult humour. |
| Synopsis | Set in an Officers’ Mess in India during the Raj. Major Parker has been caught 'in delecto flagrante' with the Colonel’s wife. To head off disgrace and ruination of his career, the Major decides to make a full confession to the Colonel - with unexpected results! |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Colour of Love by Karen Ince |
| Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 28 minutes. [Estimated!] |
| Music | None. |
| Style | A one-act exploration of mental health issues. Single set with doorway. |
| Synopsis | Housewife Sarah is sometimes obsessed with spreading colour around the house, and sometimes can't get out of bed for days on end. These mood swings are a source of distress for husband John and daughter Laura. John's refusal to admit his wife needs help has led to Laura developing coping mechanisms that may be just as unhealthy. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Coming Home by Roger Woodcock |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. The main characters are an aged father and his son. The Tea Lady is a very brief cameo. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | Ten-minute play, set in a private room in a nursing home. (Which could be indicated with the minimum of detail.) Contains mild swearing. |
| Synopsis | Barry's Dad is in hospital, his mind slipping back and forth through time. Barry needs him to sign some forms, but he can't help but be interested in spectres from the past that he's not heard of before. Until one secret catches him by surprise and changes everything. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Coming of Age by Jack Oliver |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. The teenage character is written as male but could be played as female. The middle-aged character can be played by a teenager if used for youth theatre, |
| Run Time | Around 15 minutes. [Estimated!] |
| Music | None. |
| Style | A short drama with a single (bedroom) setting. US English. Some strong language. Suitable for youth theatre. |
| Synopsis | Allan makes his best attempt to rekindle the relationship with his teenage son Jordan, as they suffer from an emotional disconnection after the death of Jordan's mother. Jordan finds himself struggling to balance schoolwork and a social life while maintaining his dwindling mental health. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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