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| Bargain Burials by Johnny Grim |
| Roles | Minimum Male roles = 7. Minimum Female roles = 0. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
| Run Time | Around 97 minutes. [Estimated!] |
| Music | Numerous tracks are suggested in the Producer's copy of the script, to be played pre-show, in the interval, and as sound effects at certain cued points. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A full-length comedy with a single (bar) setting. Strong language. |
| Synopsis | In the little Australian town of Wedgiemuggurah in 1976, gravediggers Shane and Kev are made redundant, replaced by new technology. Undaunted, the pair decide to put their expertise to good use by opening an on-the-cheap funeral service. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Big Night IN by Richard Marsh |
| Roles | Minimum Male roles = 4. Minimum Female roles = 0. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 80 minutes. [Estimated!] |
| Music | None. |
| Style | A full length comedy, with adult themes and language, set in a living room. |
| Synopsis | Great pals Tony, Rob, Simon and Gary meet for another of their usual - nights out. They become dismayed when they realise that they are getting older, girlfriends are getting serious and marriage, kids, slippers, and mortgages beckon. But even staying IN is not as simple as it used to be. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| His Shoes Were Far Too Tight by John Chambers |
| Roles | Minimum Male roles = 2. Minimum Female roles = 0. Minimum total with doubling = 2. Minimum total without doubling = 2. No chorus. The ages of the two characters vary considerably (and not sequentially!) during the play! |
| Run Time | Around 85 minutes. [Estimated!] |
| Music | None. |
| Style | Full-length play for two actors. A study of character and relationships. Contains some swearing. |
| Synopsis | The English eccentric (artist, musician and writer of nonsense verse) Edward Lear takes a sentimental journey back through his relationship with his loyal Albanian servant Giorgis Kokalis. They recall their first meeting, their travels, arguments and understandings. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Invisible Man by Rob Johnston |
| Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 8. No chorus. 8 characters, designed to be split between 3 actors. |
| Run Time | Around 84 minutes. [Estimated!] |
| Music | None. |
| Style | A full-length gothic thriller, based on the novel by H. G. Wells, on a split stage. |
| Synopsis | When a new guest arrives at the Coach and Horses in swathed in bandages, he is assumed to be a shy accident victim. But Griffin is in fact a scientist who has turned himself invisible, and not yet found the antidote. His condition, and the refusal of others to help, is destined to drive Griffin to violent madness. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Necessity Of Atheism by Seán Lang |
| Roles | Minimum Male roles = 6. Minimum Female roles = 0. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 64 minutes. [Estimated!] |
| Music | None. |
| Style | A one act historical play |
| Synopsis | Oxford, 1811. Amidst harsh laws restricting the freedom of the press, Percy Bysshe Shelley, a rather unorthodox, flamboyant undergraduate, publishes a short pamphlet called The Necessity of Atheism. The Master of his college is inclined to dismiss it as a bit of undergraduate exuberance but Lord Eldon, Lord Chancellor of England and old member of the college, takes a much more serious view. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Traitors, Cads & Cowards by Martin McNamara |
| Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. |
| Run Time | Around 66 minutes. [Estimated!] |
| Music | None. |
| Style | A one act drama, though performing groups may wish to add an interval. Single prison cell setting, and some strong language. |
| Synopsis | During the Great War, an army deserter, a conscientious objector and an IRA soldier share a cell. They play out their respective journeys to prison and relate the horrors of the period. Liam, an Irish rebel arrested after the Easter Rising in Dublin, has been transported to the military wing of London's Wandsworth Prison for questioning. He is bunked in with Alfred, a shell-shocked veteran of the trenches up on desertion charges. Their other cell mate is Henry, conscientious objector, court martialed for refusing his call up papers. Can three very different 'Traitors to the King' find common ground? |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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