|
Bill by Janice Sampson |
Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
Run Time | Around 65 minutes. [Estimated!] |
Music | None. |
Style | Comedy structured in two act (but on the boundary between one-act and full-length in run-time). Contains swearing. Multiple settings, but with minimal set requirements. |
Synopsis | A multi-strand story that introduces us to five separate characters in the first act, then draws all their tales together in the second: Bill with his knee-replacement, David mourning his lost mother, Audrey arrested for her Fancy Dress Brawl, Rita marrying again and Constance trying a new exercise routine. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
Blackmail by Lynn Snyder |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. One role is non-speaking. |
Run Time | Around 90 minutes. [Estimated!] |
Music | None. |
Style | Tense full-length drama with political, and moral themes. First published in 2010, revised in 2013. |
Synopsis | A congressman is being investigated over the disappearance of an intern with whom he was having an affair. His son tries to remain loyal but may have to sacrifice his own political career. Then the son meets the sister of the intern and falls in love, changing everything. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
Chance Encounters by Jamesine Cundell Walker |
Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 17. No chorus. Can be played with a different cast in every scene, or with the same cast throughout. |
Run Time | Around 76 minutes. [Estimated!] |
Music | None. |
Style | A full length play comprised of nine connected playlets with a single (park bench) setting. |
Synopsis | Nine encounters take place on a park bench during the course of a day in September. Some are dramatic, some comedic. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
The Greatest Form of Flattery by Amy Sutton |
Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 6. No chorus. |
Run Time | Around 70 minutes. [Estimated!] |
Music | None. |
Style | Either a short full-length play, or a long one-act play! Figurative sets (scenery kept to the minimum needed to indicate the location) but props include a set of shop-window dummies. Contains swearing. |
Synopsis | Brendan is a struggling artist who is horrified to see someone he went to Art College with hit the big time with an exhibition of work that looks terribly familiar. When the centrepiece of the exhibition gets stolen and turns up in Brendan's studio, potential disaster is turned to success for everyone. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
Handstands For You by Adam Exton |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 5. No chorus. The characters are children, but could be played by children or adults. There are three characters, but two of them appear in some scenes as younger versions of themselves. (Either played by the same actors or by younger ones.) |
Run Time | Around 65 minutes. [Estimated!] |
Music | None. |
Style | A touching and deftly-handled approach to the subject of childhood illness. Multiple settings, but does not need explicit sets. Contains mild swearing (which could be moderated if deemed in appropriate for a specific production). |
Synopsis | When Billy was five, his best friend was Gemma, but she moved away. Now Billy's thirteen, he's got a new best friend in Ronald, but he also has leukaemia. Gemma moves back to the neighbourhood and the three have to find space for each other. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
Hotel Mikado by S. P. Franksson |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. One (female) character is a recorded voice only. |
Run Time | Around 84 minutes. [Estimated!] |
Music | None. |
Style | A full-length comedy with a single (hotel room) setting. |
Synopsis | Wendy and Kevin return to their honeymoon hotel room for their 10th anniversary. They discover her ex-husband is at the same resort with a friend. Coincidence? Not at all. Henry's a scorned and bitter man who still holds a huge candle for his ex-wife, and he means to win her back. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
Illusion/Delusion by David Pollard |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 9. No chorus. |
Run Time | Around 78 minutes. [Estimated!] |
Music | None. |
Style | A collection of three one-act plays, all of which are also available separately. |
Synopsis | Three stories which question the reality of their situations. In 'Can Malone Die?', a best-selling author is confronted by his character brought to life. In 'Aspects of a Betrayal', Dolly is visited by a colleague of her late husband, who was a spy and defector. And in 'Clause Fourteen', aging actor Clifford finds himself playing opposite his ex-wife in a production which, against all probability, is a smash hit. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
Kalifa's Amazing Adventures by Nikki Harmon |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 5. Minimum total without doubling = 17. No chorus. The lead character is a young elephant and various others are animals. These are supposed to be indicated by costumes props or masks, rather than being entirely realistic! (There's a photographic example on the script page.) |
Run Time | Around 90 minutes. [Estimated!] |
Music | None. |
Style | Full length play - a fable along the lines of the Just So stories or Brer Rabbit. Aimed at a young audience, but to be played by adults or teenagers. |
Synopsis | The growing pains of an inquisitive young elephant, as she learns about the dangers of her environment and the value of friendship. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
Lions Versus Elephants by Graham Dillistone |
Roles | Minimum Male roles = 2. Minimum Female roles = 2. Minimum total with doubling = 4. Minimum total without doubling = 9. No chorus. 4 onstage characters (2M, 2F), plus 5 (2M, 3F) who are voice only and may be pre-recorded. |
Run Time | Around 95 minutes. [Estimated!] |
Music | None. |
Style | A full-length comedy, presented as three acts, on a single (living room) set. |
Synopsis | Bernard follows the book 'Man is a lion, woman is an elephant', but his dinner guests Gerald, Ann and Peggy will test his beliefs. Gerald and Ann’s marriage falls apart, Peggy preys on both men, and Bernard misses the simple life. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|
|
Orshina by Hanit Guli |
Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
Run Time | Around 74 minutes. [Estimated!] |
Music | Suggestion for one background song to be played during the opening scene. Lazy Bee Scripts does not supply any sheet music with this script. |
Style | A one act drama - though could be performed in two acts. U.S. English. |
Synopsis | The night before he 'disappears' for a year, Israel and his wife Nili gather their daughters for a family dinner, and argue about whether or not to tell the girls the truth about where their father is going. Both girls have secrets of their own to reveal, however, and there are arguments aplenty during the darkly dysfunctional family meal. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
|