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The Cottage by John Dowsett |
Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 5. No chorus. |
Run Time | Around 65 minutes. [Estimated!] The author estimates the run time at 80 minutes. |
Music | None. |
Style | A drama set in the 1960s. Structurally in two acts, but on the boundary between one-act and two-act length. |
Synopsis | Alex’s cottage was once a cosy family home, but since the death of his wife, he’s started to lose his grip on the place. Now his sons see an investment opportunity, if they can persuade him to move out. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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God's Minstrel by Joseph P. Ritz |
Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 11. No chorus. Four of the characters are intended to be doubled by one actor (though they need not be). The roles of Clare's Cousin and the Soldier are optional. |
Run Time | Around 70 minutes. [Estimated!] |
Music | None. |
Style | You can think of this either as a short two-act play, or a long one-act play. Single set. |
Synopsis | Mixed in with a little tale from modern times, this is the story of how Francis of Assisi became a saint. A moving and honest telling. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Handstands For You by Adam Exton |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 5. No chorus. The characters are children, but could be played by children or adults. There are three characters, but two of them appear in some scenes as younger versions of themselves. (Either played by the same actors or by younger ones.) |
Run Time | Around 65 minutes. [Estimated!] |
Music | None. |
Style | A touching and deftly-handled approach to the subject of childhood illness. Multiple settings, but does not need explicit sets. Contains mild swearing (which could be moderated if deemed in appropriate for a specific production). |
Synopsis | When Billy was five, his best friend was Gemma, but she moved away. Now Billy's thirteen, he's got a new best friend in Ronald, but he also has leukaemia. Gemma moves back to the neighbourhood and the three have to find space for each other. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Illusion/Delusion by David Pollard |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 9. No chorus. |
Run Time | Around 78 minutes. [Estimated!] |
Music | None. |
Style | A collection of three one-act plays, all of which are also available separately. |
Synopsis | Three stories which question the reality of their situations. In 'Can Malone Die?', a best-selling author is confronted by his character brought to life. In 'Aspects of a Betrayal', Dolly is visited by a colleague of her late husband, who was a spy and defector. And in 'Clause Fourteen', aging actor Clifford finds himself playing opposite his ex-wife in a production which, against all probability, is a smash hit. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Invisible Man by Rob Johnston |
Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 8. No chorus. 8 characters, designed to be split between 3 actors. |
Run Time | Around 84 minutes. [Estimated!] |
Music | None. |
Style | A full-length gothic thriller, based on the novel by H. G. Wells, on a split stage. |
Synopsis | When a new guest arrives at the Coach and Horses in swathed in bandages, he is assumed to be a shy accident victim. But Griffin is in fact a scientist who has turned himself invisible, and not yet found the antidote. His condition, and the refusal of others to help, is destined to drive Griffin to violent madness. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Sherlock's Excellent Adventure by James Barry Best Seller |
Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus. |
Run Time | Around 90 minutes. [Estimated!] |
Music | Sheet music for four original songs provided with the Producer's Copy of the Script. |
Style | Parody of Sherlock Holmes stories, visual jokes, theatrical jokes, wordplay. Not strictly a pantomime, but has some of the elements (including Mrs. Hudson as a pantomime dame) and could fit in a slot in the panto season. |
Synopsis | Lucy Matravers engages Holmes and Watson to resolve a dispute over a family will, bringing conflict with Holmes's arch enemy, Moriarty. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Trumpet Major by Thomas Hardy (adapted Peter John Cooper) |
Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 8. No chorus. The piece is interspersed with the reminiscences of the old Anne Garland. (Her role coulde be doubled by her younger self.) |
Run Time | Around 130 minutes. [Estimated!] |
Music | None. |
Style | Full-length period drama. The scenes flow continuously, so intended to be performed with stage areas and levels rather than a formal set. |
Synopsis | Thomas Hardy's novel of life in the Napoleonic era, with soldiers massing to repel invasion, and village life in turmoil as a result. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Under the Hood by Damian Trasler |
Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 5. No chorus. |
Run Time | Around 65 minutes. [Estimated!] |
Music | None. |
Style | One-act drama (on the lower boundary of two-act length). Simple sets. |
Synopsis | Rose, an actor, is rehearsing the title role in a new psychological interpretation of Red Riding Hood under a hot-shot director. Meanwhile, her husband, Mark, is torn between the frustrations of his well-paid dead-end job and the uncertainties of his dream of creating his own business. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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