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Acting Funny by Jack Burgess |
Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 52. Chorus. Three of the characters (two in one sketch, one in another) are intended to be played by children. |
Run Time | Around 90 minutes. [Estimated!] |
Music | Piano and vocal scores for the opening and closing songs are supplied with the Producer's copy of the script. (Original lyrics, music by Sir Arthur Sullivan) |
Style | A revue - a set of 17 comedy sketches and songs, varying in length from one to ten minutes. Basically a family show, but includes mild swearing in a few of the sketches. |
Synopsis | A collection of sketches, including opening and closing songs, five Great Moments from History, two French Lessons, three monologues, a very small circus, the ante-rooms to the after-life, a spoof of a medical soap opera, a martial arts demonstration and the Dead Carrot sketch. [Note that some of the longer sketches are also available individually.] |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Cause for Alarm by Gareth Rubin |
Roles | Minimum Male roles = 5. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 9. No chorus. |
Run Time | Around 90 minutes. [Estimated!] |
Music | None. |
Style | Full-length farcical comedy play. Contains swearing (which, considering the mayhem involved, is not surprising!) |
Synopsis | It's Health and Safety Inspection Day at the Nuclear Power Plant, but when the inspector himself causes an accident, no one feels healthy or safe. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Chance Encounters by Jamesine Cundell Walker |
Roles | Minimum Male roles = 1. Minimum Female roles = 2. Minimum total with doubling = 3. Minimum total without doubling = 17. No chorus. Can be played with a different cast in every scene, or with the same cast throughout. |
Run Time | Around 76 minutes. [Estimated!] |
Music | None. |
Style | A full length play comprised of nine connected playlets with a single (park bench) setting. |
Synopsis | Nine encounters take place on a park bench during the course of a day in September. Some are dramatic, some comedic. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Don't Bury The Banjo by John Peel |
Roles | Minimum Male roles = 3. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. Five speaking roles and two non-speaking pallbearers. |
Run Time | Around 130 minutes. [Estimated!] |
Music | None. |
Style | Full-length drama - with comedy and pathos - with a single kitchen/store room setting. |
Synopsis | Ruth Thwaites is preparing for her husband's funeral, and is delighted her son Jake has come home for it. But Jake's life in the big city isn't all he's made it out to be, and his 'friend' Roiseen has tracked him down to break some big news. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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The Epic of Gilgamesh by Adrian Jarvis |
Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 28. No chorus. |
Run Time | Around 75 minutes. [Estimated!] |
Music | None. |
Style | Four thousand-year-old Sumerian epic brought to life. This play skilfully combines dance, mime and music with challenging acting and technical opportunities together with a gripping story, ideal for Secondary Schools, Drama Acadamies, and Youth Groups. |
Synopsis | King Gilgamesh is convinced that he can find the secret of eternal life and his dramatic odyssey is brought to life as he wanders the mythological world in his quest for immortality. We travel with him as his travails become ever more arduous and he becmes embroiled in ever more dramatic conflicts. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Fleas Can Bite by George Freek |
Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 9. No chorus. |
Run Time | Around 65 minutes. [Estimated!] |
Music | None. |
Style | Dry comedy, on the boundary between a long one-act play, and a short full-length one. (It's in two acts.) |
Synopsis | A saga of unrequited love, insanity and blackmail, populated by a strange collection of patients, professionals and friends. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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A Gladiator In The House by John Waterhouse |
Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 6. Minimum total without doubling = 10. No chorus. |
Run Time | Around 115 minutes. [Estimated!] |
Music | None. |
Style | A full length comedy (reminiscent of a Restoration Comedy) with various settings in Ancient Rome designed to be created simply (even in the round). |
Synopsis | Ancient Rome is brought to life as the love affair between escaped gladiator, Marcus, and Livia, daughter of high ranking citizen Gallus, develops despite the efforts of gladiator owner Proculus and the lecherous banker Carus. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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God's Minstrel by Joseph P. Ritz |
Roles | Minimum Male roles = 4. Minimum Female roles = 1. Minimum total with doubling = 5. Minimum total without doubling = 11. No chorus. Four of the characters are intended to be doubled by one actor (though they need not be). The roles of Clare's Cousin and the Soldier are optional. |
Run Time | Around 70 minutes. [Estimated!] |
Music | None. |
Style | You can think of this either as a short two-act play, or a long one-act play. Single set. |
Synopsis | Mixed in with a little tale from modern times, this is the story of how Francis of Assisi became a saint. A moving and honest telling. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Hump Day by Alan Hargreaves |
Roles | Minimum Male roles = 5. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 7. No chorus. |
Run Time | Around 100 minutes. [Estimated!] |
Music | None. |
Style | A full-length comedy with a single (office) setting. |
Synopsis | Unassuming accountant Barry is auditing the books at the inefficiently run Reynolds head office when he discovers that new recruit Andy plots to take over the firm. But Barry has nefarious ideas of his own. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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Illusion/Delusion by David Pollard |
Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 9. No chorus. |
Run Time | Around 78 minutes. [Estimated!] |
Music | None. |
Style | A collection of three one-act plays, all of which are also available separately. |
Synopsis | Three stories which question the reality of their situations. In 'Can Malone Die?', a best-selling author is confronted by his character brought to life. In 'Aspects of a Betrayal', Dolly is visited by a colleague of her late husband, who was a spy and defector. And in 'Clause Fourteen', aging actor Clifford finds himself playing opposite his ex-wife in a production which, against all probability, is a smash hit. |
Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
Click here to read the script or Click here for more details. |
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