|
| All Is Not Lost by Nicholas Richards |
| Roles | Minimum Male roles = 1. Minimum Female roles = 1. Minimum total with doubling = 17. Minimum total without doubling = 29. No chorus. Most of the characters are written male, but really it doesn't matter. Characters are a mix of ages, so could suit a mixed age company. |
| Run Time | Around 90 minutes. [Estimated!] |
| Music | The Producer's Copy of the script comes with sheet music for five original songs. |
| Style | Full-length comedy with musical elements, speculating on the culture clash between Anglo Saxons and Romanised Britons. |
| Synopsis | Sir Ambrosius Pengarth used to be the valiant, beast-slaying ruler of the Five Hills, but now is more interested in playing his lyre than protecting the people. When rumours of a dragon spread through the castle, his young son and nephew bunk off lessons to go and slay it themselves. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A set of MP3 files with piano arrangements of songs from the show
|
| Click here to read the script or Click here for more details. |
|
|
| The Horrible Hot Air Homicide by Ray Lawrence |
| Roles | Minimum Male roles = 4. Minimum Female roles = 3. Minimum total with doubling = 8. Minimum total without doubling = 8. No chorus. Melodrama stereotypes - the wicked squire, the poor-but-hones heroine, etc. |
| Run Time | Around 30 minutes. [Estimated!] |
| Music | One song (to a G&S tune). Sheet music for the song is supplied with the producer's copy of the script. |
| Style | Melodrama set in Victorian times, but written in the 21st century - so something of a send-up of the format. |
| Synopsis | 'The Horrible Hot Air Homicide' - or 'Fanny's Free For All' sees the wicked squire in pursuit of the poor heroine, Fanny. However, in fear that his past misdeeds will be exposed, the squire frames his rival for murder, then furnishes a fiendish fate for Fanny. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Perseus - A Hero's Headhunt by Nicholas Richards |
| Roles | Minimum Male roles = 4. Minimum Female roles = 4. Minimum total with doubling = 8. Minimum total without doubling = 25. No chorus. Whilst there are nominally 25 roles, the piece is structured for flexibility - and could be played as a series of linked sketches with different actors playing the recurring characters. |
| Run Time | Around 70 minutes. [Estimated!] Add another 10 minutes for the optional songs. |
| Music | Piano/vocal scores for two optional songs are provided with the Producer's Copy of the script. |
| Style | Sword and sandals myth brought to the stage as a comedy play (or series of sketches) for schools (and anyone else), with a couple of optional songs. |
| Synopsis | The story of Perseus is told with a mixture of narration and brief, dramatised scenes. The narration is delivered by the gods Athene and Hermes - who also take part in several scenes (because they want the hero to get a head.) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** Backing tracks of songs from the show as MP3 files
|
| Click here to read the script or Click here for more details. |
|
|
| Phantomime by Jonathan Goodson |
| Roles | Minimum Male roles = 3. Minimum Female roles = 7. Minimum total with doubling = 10. Minimum total without doubling = 10. No chorus. |
| Run Time | Around 100 minutes. [Estimated!] |
| Music | There's one suggested song for which a piano and vocal score is provided with the Producer's Copy of the script. |
| Style | Full length comedy play in a single set. Despite the panto content, this is a play aimed at an adult cast and audience. The characters are interesting, the situation is novel, the dialogue is snappy and fun, and the conclusion is satisfying. |
| Synopsis | A novel twist on the theme of putting on a play. Bernadette's spirit must haunt the school where she was Headmistress until they put on a performance worthy to be a tribute to the village's war dead. Now she only has ex-pupil Tiffany the janitor to help her pull together the perfect panto. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** Vocal Demo and rehearsal track (piano with vocal line played on another instrument) for 'Crystal Shallows', the original song from 'Phantomime' by Jonathan Goodson.
|
| Click here to read the script or Click here for more details. |
|
|
Sherlock's Excellent Adventure by James Barry
Best Seller |
| Roles | Minimum Male roles = 3. Minimum Female roles = 1. Minimum total with doubling = 4. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 90 minutes. [Estimated!] |
| Music | Sheet music for four original songs provided with the Producer's Copy of the Script. |
| Style | Parody of Sherlock Holmes stories, visual jokes, theatrical jokes, wordplay. Not strictly a pantomime, but has some of the elements (including Mrs. Hudson as a pantomime dame) and could fit in a slot in the panto season. |
| Synopsis | Lucy Matravers engages Holmes and Watson to resolve a dispute over a family will, bringing conflict with Holmes's arch enemy, Moriarty. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|
|
| Shreds - The Unravelling of Charles Dickens by Phil Porter (music Mary Harrison Hewett) |
| Roles | Minimum Male roles = 4. Minimum Female roles = 2. Minimum total with doubling = 7. Minimum total without doubling = 32. Chorus. Two principals (Dickens and George Dolby), plus many other characters, real and from Dickens' writing, who might be played by a number of on-stage 'voices'. |
| Run Time | Around 48 minutes. [Estimated!] (The original production ran for one hour.) |
| Music | Keyboard scores for 10 pieces of background music are provided with the producer's copy of the script. |
| Style | Drama in a single simple set, designed to be accompanied by projected images (with the option for an on-stage pianist providing mood music). |
| Synopsis | A dramatization of the circumstances that led Charles Dickens to wild success reading extracts from his novels on stage, and the terrible toll it took on him. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** CD with 40 images, 18 sound effects, 3 video clips and 10 pieces of musical accompaniment for 'Shreds - The Unravelling of Charles Dickens' by Phil Porter (Music by Mary Harrison Hewett)
|
| Click here to read the script or Click here for more details. |
|
|
| Sleep Out by Jonathan Edgington (Song: Mark Laurent) |
| Roles | Minimum Male roles = 7. Minimum Female roles = 8. Minimum total with doubling = 15. Minimum total without doubling = 16. No chorus. The characters are a mixture of adults plus four teenagers. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | Sheet music (vocal line plus guitar chords) for 'Hope' by Mark Laurent is included with the Producer's Copy of the script. |
| Style | One-act play (in length, though it's structured in two acts). Includes a modicum of swearing and adult themes. (And a song. And some comedy.) |
| Synopsis | A cross section of the population come together for a charity sleep out in aid of the homeless. Six months later, life has changed for quite a few of them.
Threads of life woven around a common focal point. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** Guitar and Vocal recording by Mark Laurent of his song 'Hope' which is sung in Jonathan Edgington's play 'Sleep-Out'
|
| Click here to read the script or Click here for more details. |
|
|
| Three Musketeers by James Barry |
| Roles | Minimum Male roles = 2. Minimum Female roles = 1. Minimum total with doubling = 3. Minimum total without doubling = 3. No chorus. The Three Musketeers, the Cardinal, the Cardinal's servant, the Queen and Milady are played by the same three actors! |
| Run Time | Around 90 minutes. [Estimated!] |
| Music | Sheet music for three original songs provided with the Producer's Copy of the Script. |
| Style | Hilarious adventure with the Three Musketeers. Visual jokes, physical comedy, theatrical jokes, wordplay. (Not strictly pantomime, but contains many panto elements, so would be at home in a panto season or at any other time!) |
| Synopsis | Cardinal Richelieu is trying to usurp the throne of France by stealing the crown jewels. In desperation, the Queen turns to the Athos, Porthos and Aramis. In retaliation, the Cardinal turns to his servant, Brie (played by an actor who turned up for a performance of Treasure Island) and the seductive Milady. Deception, mayhem, sword fights and hilarity ensue. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** Backing tracks of songs from the show as MP3 files
|
| Click here to read the script or Click here for more details. |
|
|
| Will at the Tower by Pete Hartley |
| Roles | Minimum Male roles = 2. Minimum Female roles = 3. Minimum total with doubling = 7. Minimum total without doubling = 7. Chorus. Five principals plus a chorus of singers. |
| Run Time | Around 110 minutes. [Estimated!] |
| Music | The dialogue is interwoven with multiple instances of five original songs. |
| Style | Period drama. Minimal set requirements. |
| Synopsis | A story (based on a local tradition) of Catholicism in the reign of Elizabeth 1st. The Jesuit priest, Edmund Campion pays a clandestine visit to Hoghton Tower in Lancashire with a young Will Shakespeare in tow. They observe the life of the house as the new lady of the manor tries to marry off the daughter of the previous lord. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Extras | The following additional items are available (at extra cost) to go with this script:
** A 'rehearsal CD' with piano arrangements of songs from the show
|
| Click here to read the script or Click here for more details. |
|
|
| Wish You Were Here? by John Garforth |
| Roles | Minimum Male roles = 3. Minimum Female roles = 3. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 35 minutes. [Estimated!] |
| Music | Single original song (supposedly made up by one of the characters) presented as a lead sheet and guitar chords. |
| Style | A one act drama with a single park playground setting. |
| Synopsis | In a park frequented by the homeless, a disparate group of eccentrics encounter each other and an unlikely partnership blossoms. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
|