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After The Flags And Bands by Allan Williams
Production by Offshoots won Best Play, Best Actress & Technical Excellence Award at the Anglesey Drama Festival 2014 |
| Roles | Minimum Male roles = 0. Minimum Female roles = 4. Minimum total with doubling = 4. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 50 minutes. [Estimated!] |
| Music | None. |
| Style | An all female cast, one act drama - with a single (church hall during World War One) setting. |
| Synopsis | Throughout the First World War we follow the women left at home, through letters and monologues, as their good companionship helps them cope with the devastating events on the Western Front. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Call To Duty by Nettie Baskcomb Brown
The original production won the Five Counties and Mercia division trophies and was a semi-finalist in 2014 All England Theatre Festival, winning adjudicator's award for excellence. |
| Roles | Minimum Male roles = 10. Minimum Female roles = 5. Minimum total with doubling = 16. Minimum total without doubling = 31. No chorus. |
| Run Time | Around 54 minutes. [Estimated!] |
| Music | None. |
| Style | Award winning One Act play for youth theatre with various (simple) settings. |
| Synopsis | Sam is bored by his school history and drama lessons about the First World War, but through his brother's console games, he learns more than he expected.
The play vividly brings to life the bravery of ordinary soldiers who fought in World War One by merging modern virtual war games with the shocking reality of the WW1 trenches and using comedy and tragedy to take actors and audiences on an emotional, thought provoking journey. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Cowards by Stephen Gillard |
| Roles | Minimum Male roles = 11. Minimum Female roles = 1. Minimum total with doubling = 12. Minimum total without doubling = 22. No chorus. Four principal male roles plus one female cameo. All other roles can be doubled. |
| Run Time | Around 80 minutes. [Estimated!] |
| Music | None. |
| Style | A full-length drama set at the front during World War One (a cell block and General Haig’s office). Contains appropriately placed adult language. |
| Synopsis | Sixteen-year-old Private Harry Blaydon stands accused of cowardice and faces execution by firing squad. He is mentored by old sweat Sarge who acts as a father figure for him. Harry's predicament is compared with the situation General Douglas Haig finds himself in as their destinies play out. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Entrenched by Samantha Lierens |
| Roles | Minimum Male roles = 10. Minimum Female roles = 7. Minimum total with doubling = 17. Minimum total without doubling = 19. No chorus. |
| Run Time | Around 66 minutes. [Estimated!] |
| Music | A song is suggested to be sung and accompanied on piano at beginning and end the performance. Lazy Bee Scripts does not supply any sheet music with this script. |
| Style | A full length play, divided into three acts, with many short scenes in different locations. |
| Synopsis | A re-telling of a true story about Elsie Knocker and her friend Mairi Chisholm, who were instrumental in establishing and maintaining a hospital, close to the front line at Ypres during the First World War. They were both awarded the Military Medal, were decorated by the Belgian King, and probably became the most photographed women of their time. This play follows them from their first meeting to the irrevocable breakdown of their friendship in 1919. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Fighting the Kaiser with Catapults by S. J. Edwards |
| Roles | Minimum Male roles = 3. Minimum Female roles = 6. Minimum total with doubling = 9. Minimum total without doubling = 9. No chorus. |
| Run Time | Around 24 minutes. [Estimated!] |
| Music | None. |
| Style | One-act drama written for performance by older youth theatre students (16-19 year olds). Can be performed on minimal sets. |
| Synopsis | A series of vignettes follows three different men, their relationships with the women in their lives and their involvement in the First World War. The scenes take place at various intervals between 1914 and 1916. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Hunter And The Hunted by JPS Yates |
| Roles | Minimum Male roles = 6. Minimum Female roles = 4. Minimum total with doubling = 12. Minimum total without doubling = 12. No chorus. Two non-speaking roles. |
| Run Time | Around 95 minutes. [Estimated!] |
| Music | None. |
| Style | A full length, emotive drama, set during the First World War. |
| Synopsis | A hunting party on General Franklin-Davies' Scottish estate in the early years of World War One, poignantly and dramatically presages events that the party are to experience in the trenches. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| Keeping Up Appearances by Elizabeth Bell |
| Roles | Minimum Male roles = 1. Minimum Female roles = 5. Minimum total with doubling = 6. Minimum total without doubling = 6. No chorus. |
| Run Time | Around 42 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play set in Dora Irvine's kitchen during the First World War. |
| Synopsis | Set in the early years of the Great War the play poignantly examines the devastating effects the war had on the womenfolk left at home whilst their loved ones were fighting and dying.
Based on JM Barrie's two-act play 'The Old Lady Shows Her Medals' (first performed 7th April 1917). |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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| The Knock by Elisabeth Marrion |
| Roles | Minimum Male roles = 0. Minimum Female roles = 1. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 14 minutes. [Estimated!] |
| Music | None. |
| Style | Dramatic monologue. |
| Synopsis | Alma Zenick moved from Germany to England in the 1870s to work as a furrier. Decades later, in the first year of World War One, she awaits news of her sixth son. The other five have died in action, and she dreads receiving bad news about her last boy. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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Leaving Tommy by Mark Seaman
Winner of seven awards during original 2005 production, including 3 festival awards (Wiltshire, Avon and Gloucestershire) for best original script. |
| Roles | Minimum Male roles = 3. Minimum Female roles = 0. Minimum total with doubling = 3. Minimum total without doubling = 4. No chorus. |
| Run Time | Around 45 minutes. [Estimated!] |
| Music | None. |
| Style | One-act play, set in a prison cell during the first world war. (Minimal set requirements.) |
| Synopsis | A young man has been tried and found guilty of cowardice and desertion at the front during World War One, and awaits his death by firing squad. He is visited by the army Chaplain, a Captain who hears about his reasons for joining up and what really happened on the front line. |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
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| Awards | Click here to see the awards won by (productions of) this script. |
| Click here to read the script or Click here for more details. |
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| Merry Christmas Fritz by Geoff Parker |
| Roles | Minimum Male roles = 1. Minimum Female roles = 0. Minimum total with doubling = 1. Minimum total without doubling = 1. No chorus. |
| Run Time | Around 10 minutes. [Estimated!] |
| Music | None. |
| Style | One-act dramatic monologue set in a World War One hospital. |
| Synopsis | A soldier, seriously wounded in the early part of the Great War, relates the horrific experiences which brought him to his hospital bed and his hopes for the future, sadly to be thwarted by events to come.
(The dramatisation allows Tommy to know a little more about the details of the strategy of the First World War generals than he would have known, but not as much as we know with hindsight.) |
| Price | For scripts and live performance rights, please click on the Price Link to find the cost. For scripts and lockdown videos/streaming rights, click here |
| Click here to read the script or Click here for more details. |
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